Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
1149, and that the awkward arrangement to which I have just referred
was, in fact, the result of some accident or change of plan. This
supposition would reconcile more satisfactorily all the difficulties of
the case than any other, and would tally well with what I have been able
to learn as to the history of the church. The body of San Isidoro was
sent for rather suddenly, and brought from Seville, and the King had
but short time for the preparation of the building for its reception.
Two years later the body of San Vicente was brought from Avila, and no
doubt the popularity of the two saints soon made it necessary to enlarge
the church. Then it might well happen that the old church was left in
its integrity, and the new building added to the east, but with its
north wall in a line with the north wall of the old one, so as to allow
of the cloister being built along their sides, and without at all
disturbing the early church or its relics. The relative position of the
churches makes it probable, in short, that the large church was added to
the small one, and not that the latter was a chapel added to the former.
The style of the two buildings leads to the same conclusion, for in Sta.
Catalina Ave have a small, low, vaulted church, two bays only in length
and three in width. The two detached columns which carry the vaults are
cylindrical, with capitals of somewhat the same kind as those in the
church, but simpler and ruder. Recessed arches in the side walls contain
various tombs of the Royal Family, who for ages, from the time of
Fernando I. and Doña Sancha his queen, have been buried here; and the
very circumstance that this little chapel was selected for the burial of
so many royal persons, seems to make it extremely probable that it was
the very chapel in which the body of San Isidoro had first been laid.
The door of communication from the chapel to the church has an arch of
the same kind as the transept arches, semi-circular and fringed with
several cusps; and the chapel is now lighted by two open arches on the
north side, which communicate with the cloister. The groining is all
quadripartite, without ribs, but with plain bold transverse arches
between the bays.
Public-domain text, read in full here on John Shaqi.
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