Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
Tours such as these have, I think, given me a fair chance of forming a
right judgment as to most of the features of Spanish architecture; but
it were worse than foolish to suppose that they have been in the
slightest degree exhaustive, for there are large tracts of country which
I have not visited at all, others in which I have seen one or two only
out of many towns which are undoubtedly full of interesting subjects to
the architect, and others again in which I have been too much pressed
for time. Yet I hardly know that I need apologize for my neglect to see
more when I consider that, up to the present time, so far as I know, no
architect has ever described the buildings which I have visited, and
indeed no accurate or reliable information is to be obtained as to their
exact character, or age, or history. The real subject for apology is one
over which I have had, in truth, no control. The speed with which I have
been compelled to travel, and the rapidity with which I have been
obliged to sketch and take dimensions of everything I have seen, have
often, no doubt, led to my making errors, for which, wherever they
exist, I am sincerely sorry. In truth, the work I undertook was hardly
the mere relaxation from my ordinary artistic labour for which it was
first of all intended, and has been increased not a little by the
labour which I have undertaken in the attempt to fix by documentary
evidence, where possible, the ages of the various parts of the buildings
I have described.
It will be observed that I have not visited the extreme south of Spain;
and this was from the first a settled purpose with me. We have already
been treated almost to surfeit with accounts of the Moorish remains at
Granada, Seville, Cordoba, and other places in the south; but beside
this my anxiety was to see how the Christians and not how the Moors
built in Spain in the middle ages, and I purposely, therefore, avoided
those parts of the country which during the best period of mediæval art
were not free from Moorish influence. The pages of this book are the
best evidence I can give of the wisdom of such a decision, and I need
only say here that I was more than satisfied with the purity and beauty
of the Christian architecture of Spain, and that I have no hesitation in
the advice which I give to others to follow in my track and to make good
the deficiencies in my investigations, of which I am so thoroughly
conscious.
By this time travelling on the great high road through Spain _viâ_
Madrid is much easier than it was when I first made the journey. The
railway to Madrid is now either completed or all but completed, and it
is possible to travel from Calais to Alicante on an almost unbroken
line. It is a matter to be grateful for in most respects, yet I rejoice
that I made my first journey when it was still necessary to make use of
the road, and to see something on the way both of the country and of the
people.
Public-domain text, read in full here on John Shaqi.
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