Some Account of Gothic Architecture in Spain — John Shaqi
Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
There is a rather characteristic church of late date here. It stands on
ground sloping steeply down towards the river, and has a bald look
outside, owing to the almost complete absence of window openings, what
there are being small, and very high above the floor. The plan is
peculiar: it has a nave and chancel, and aisles of two bays to the
eastern half of the nave, so that the western part of the nave
corresponds in outline very nearly with the chancel. There is a tower at
the west end of the south aisle. The groining is many-ribbed, and
illustrates the love of the later Spanish architects for ogee
surface-ribs, which look better on a plan of vaulting than they do in
execution. The east end is square, but the vaulting is apsidal, the
angles of the square end being cut across by domical pendentives below
the vaulting. The most remarkable feature is the great width of the
nave, which is about fifty-four feet from centre to centre of the
columns, the total length not being more, I think, than a hundred and
fifty feet. The church floor was strewed with rushes, and in the evening
when I visited it the people stole in and out like ghosts upon this
quiet carpeting. This church was rebuilt in A.D. 1508, and is of course
not a very good example of Spanish Gothic.
Fuenterrabia is just seen from Irun in the distance, very prettily
situated, with the long line of the blue bay of Biscay to its right.
From Irun the road to San Sebastian passes the landlocked harbour of
Pasage: this is most picturesque, the old houses clustering round the
base of the great hills which shut it in from the sea, between which
there is only a narrow winding passage to the latter, guarded by a
mediæval castle. Leaving this charming picture behind, we were soon in
front of San Sebastian. Here again the castle-crowned cliff seems
entirely to shut the town out from the sea, whilst only a narrow neck of
land between the _embouchure_ of the river on the one side, and a
landlocked bay on the other, connects it with the mainland. We had been
seven or eight hours _en route_, and were glad to hear of a halt for
breakfast. Whilst it was being prepared I ran off to the church of San
Vicente on the opposite side of the town to the Fonda. I found it to be
a building of the sixteenth century--built in 1507--with a large western
porch, open-arched on each face, a nave and aisles, and eastern apsidal
choir. The end of this is filled with an enormous Retablo of Pagan
character, reaching to the roof. The church is groined throughout, and
all the light is admitted by very small windows in the clerestory. The
aisles have altars in each bay, with Retablos facing north and south.
There is little or no work of much architectural interest here; but it
was almost my first Spanish church, and I had my first very vivid
impression of the darkened interiors, lighted up here and there by some
brilliant speck of sunshine, which are so characteristic of the country,
Public-domain text, read in full here on John Shaqi.
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