Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
I have already mentioned the great Alcazar, and the old town walls and
gateways. They are magnificent in their scale, and very picturesque. The
Alcazar was burnt some two or three years ago, and is now roofless, and
I was told that its interior had been completely destroyed. I foolishly
omitted to verify this statement by personal inspection, and contented
myself with the sight of the exterior. The walls of the front towards
the city are all diapered in plaster, and here and there about the town
several other examples of the same kind of work are to be seen. The
patterns are generally tracery patterns of the latest Gothic, repeated
over and over again, so as to produce a regular diaper throughout. I
presume that it was executed with a frame cut out to the required
pattern, so as to allow of the ground being cut back slightly, leaving
the pattern lines formed in the original face of the plaster. This kind
of decoration seems to be perfectly legitimate, and here, owing to the
care with which the plaster has been made and used, it has stood
remarkably well, though most of the patterns that I saw had evidently
been executed in the fifteenth century.
In the front of the Alcazar these plaster patterns are carried not only
all over the plain face of the walls, but also round the towers and
turrets at the angles, so that the very smallest possible amount of
wrought stone is introduced. The great tower or keep standing back a few
feet only from the front is similarly ornamented, but has stone quoins
bonded irregularly into the walls; in its upper stage it has windows
surmounted by quaint stone canopies, and then a series of great circular
turrets, corbelled boldly out from the face of the wall, and carried up
a considerable height, give its extremely marked and Spanish air to this
grand tower. These turrets are of stone, and between them is a parapet
boldly corbelled out on machicoulis from the walls. With that contempt
for uniformity which marks mediæval artists, the keep is more than twice
as broad on one side as on the other, and the great mass of wall and
turret, roofs and spirelets, which crowned the whole building before the
fire, well sustained its picturesque irregularity of shape.
Public-domain text, read in full here on John Shaqi.
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