Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
The front of a private house near the walls, not far from San Esteban,
is another capital example of the same kind of plaster-work. Here the
façade is a perfectly smooth and unbroken surface, pierced for doors and
windows, which are set in square panels of stone, and with a regular and
straight line of stone quoining at the angles. At one end a low tower is
carried up a few feet above the general line of the building. The
windows are generally mere plain square openings; but two set side by
side in the principal stage have delicate _ajimez_ windows of two
lights, with elaborately traceried heads. The patterns in the plaster
are three in number: the first carried from the stone plinth up to the
sills of the principal windows, where it is cut by a narrow band of
ornament, acting as a stringcourse to divide it from the second pattern,
which is carried up to the eaves, the tower being covered with a third
diaper, rather less intricate than the others.
Near this house is a tower in the walls even more worthy of notice. It
is of very considerable height, quite plain in outline, and pierced with
only one or two square-headed windows, but surmounted by a fine parapet
supported on machicoulis. The whole tower is built with bold stone
quoins and horizontal bands of brickwork, each band two courses in
height, at intervals of about three feet. Between these bands the walls
are plastered and diapered. Here, as in the other house, only two or
three patterns are used, but I think great judgment is shown in the
repetition for the greater part of the height of the same pattern, which
is changed at last near the top, where it was desirable to emphasize the
work. Most men having three patterns to use would have divided them
equally, but the real artist gives all their value to his simple
materials by not doing so. The construction of this tower led naturally
to its decoration. The wrought stone at the angles, the rough stonework
of the walls, and the occasional bonding-courses of brick, were all used
simply as the best materials for their respective parts; and the rough
stonework being plastered and diapered, gave a richness and polish to
the whole work which it would otherwise have wanted, whilst it in no
degree destroyed the air of stability of the wall, which is secured by
the obviously constructional arrangement of the stone and brick.
Public-domain text, read in full here on John Shaqi.
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