Some Account of Gothic Architecture in Spain — John Shaqi
Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
The central lantern was the last great work executed in this cathedral,
and its history must be given somewhat at length, as it is of much
interest. In the Royal Library at Madrid[18] there is preserved a MS.,
from which we learn that the “crossing” of the cathedral fell on the 4th
of March, 1539; and that Felipe de Borgoña, “one of the three ‘maestros’
who in the time of our Emperor came to our Spain, from whom we have
learned perfect architecture and sculpture, though in both they say he
had the advantage over the others,” was intrusted with the execution of
the new work erected in its place. This Cimborio or lantern was
completed, according to this MS., in December, A.D. 1567, Maestro
Vallejo being mentioned as having wrought at the work under Felipe de
Borgoña; Cean Bermudez,[19] without giving his authorities, says, that
the Bishop (celebrated for the many buildings he had erected, among
others San Esteban at Salamanca), on the fall of the “crucero,” summoned
Felipe de Borgoña from Toledo, where he was at work with Berruguete on
the stalls, to superintend the cathedral architects Juan de Vallejo and
Juan de Castañeda. Maestro Felipe seems to have died in A.D. 1543, so
that it is probable that after all most of the work was done after his
death by Juan de Vallejo, who was sufficiently distinguished to be
consulted with the architects of Toledo, Seville, and Leon about the
building of the new cathedral at Salamanca in A.D. 1512, and had also,
between the years A.D. 1514-1524, built the very Renaissance-looking
gateway which opens from the east side of the north transept into the
Calle de la Pellegria. The whole composition of this lantern is Gothic
and picturesque; yet there is scarce a portion of it which does not show
a most strange mixture of Pagan and Gothic detail. The piers which
support it are huge, ungainly cylinders, covered with carving in low
relief, and everywhere there is that combination of heaviness of parts
and intricacy of detail, which in all ages marks the inferior artist. I
cannot help lamenting much, therefore, the fall of the old work in A.D.
1539. There is no evidence, so far as I know, as to what it was that
fell,[20] but the nearly coeval church of Las Huelgas has a fine simple
lantern, and it is probable that some such erection existed in the
cathedral, and that Bishop Luis de Acuña y Osorio raised it, and, by
increasing its weight, caused its fall. The central lantern is so
completely a feature of English buildings, or of those built in lands
over which our kings also ruled, that any evidence of their early
existence here would have been most valuable, seeing how close the
connexion was at the time of its erection between the families of the
kings of Castile and of England.
[Illustration: No. 1.
BURGOS CATHEDRAL
P. 25
NORTH-WEST VIEW.]
The groined roofs next to the lantern, on all sides, were of necessity
rebuilt at the same time, and with detail quite unlike that of the
original vault.
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