Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
I have left to the last all notice of the cloisters, which are said to
have been built in the time of Enrique II. (1379-90), but I can find no
authority for the statement, and believe that they would be more rightly
dated between A.D. 1280 and A.D. 1350.[24] They are entered from the
south transept by the fine doorway, of which a drawing is given by Mr.
Waring in his work on Burgos. This would be thought an unusually good
example of middle-pointed work even in England, and is as fair an
instance as I know of the extreme skill with which the Spanish artists
of the same period wrought. The planning of the jambs, with the
arrangement of the straight-sided overhanging canopies over the figures
which adorn them, are to be noticed as being nearly identical in
character with those of the north transept doorway at Leon, and the
strange feature of an elliptical three-centred arch to the door opening
under the tympanum is common to both. The tympanum is well sculptured
with the Baptism of our Lord, and the well-accentuated orders of the
arch have sitting figures under canopies, and delicately-carved foliage.
The flat surfaces here are, wherever possible, carved with a diaper of
castles and lions, which was very popular throughout the kingdom of
Castile and Leon in the fourteenth century. The figures on the left jamb
of the door are those of the Annunciation, whilst, on the right, are
others of David and Isaiah. The wooden doors, though much later in date,
are carved with extreme spirit and power, with St. Peter and St. Paul
below, and the Entry into Jerusalem and the Descent into Hell above. The
ecclesiologist should set these doors open, and then, looking through
the archway into the cloister, where the light glances on an angle
column clustered round with statues, and upon delicate traceries and
vaulting ribs, he will enjoy as charming a picture as is often seen. The
arrangement of the masonry round this door shows, as also does its
detail, that it is an insertion in the older wall.[25]
[Illustration: No. 3
BURGOS CATHEDRAL
p. 30
VIEW OF CLOISTERS FROM THE ROOF]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account