Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
The later architects all seem to have wrought in
a fairly original mode; and even where architects were brought from
Germany, there was some influence evidently used to prevent their work
being a mere repetition of what was being done in their own land; and so
aided by the admirable skill of the Spanish artists who worked under
them, the result is much more happy than might have been expected. Much,
no doubt, of the picturesque effect of such a church is owing to the way
in which it has been added to from time to time: to the large number,
therefore, of personal interests embodied in it, the variety of styles
and parts each of them full of individuality, and finally to the noble
memorials of the dead which abound in it. In France--thanks to
revolutions and whitewash without stint--the noblest churches have a
certain air of baldness which tires the eye of an Englishman used to our
storied cathedrals: but in Spain this is never the case, and we may go
to Burgos, as we may anywhere else in the land, certain that we shall
find in each cathedral much that will illustrate every page of the
history of the country, if well studied and rightly read.
[Illustration]
There is one point in which for picturesque effect few countries can
vie with Spain--and this is the admission of light. In her brilliant
climate it seems to matter not at all how many of the windows are
blocked up or destroyed: all that results is a deeper shadow thrown
across an aisle, or a ray of light looking all the brighter by contrast;
and, though it is often a hard matter to see to draw inside a church on
the brightest day, it is never too dark for comfort, and one comes in
from the scorching sun outside and sits down in the darkest spot of the
dark church with the utmost satisfaction. I saw an evidence here one
night of the natural aptitude of the people for such effects, in the
mode of lighting up the cathedral for an evening service in a large
chapel at the east end. There was one lantern on the floor of the nave,
another in the south transept, and the light burning before the altar:
and in the large side chapel was a numerous congregation, some sitting
on the floor, some kneeling, some standing, whilst a priest, holding a
candle in his hand, read to the people from the pulpit. In this chapel
the only other light was from the lighted candles on the altar. The
whole church was in this way just enough lighted to enable you to see
your way, and to avoid running against the cloaked forms that trod
stealthily about; and the effect would have been inexpressibly solemn,
save for the occasional intrusion of a dog or a cat, who seem to be
always prowling about, and not unfrequently fighting, in Spanish
churches.
Public-domain text, read in full here on John Shaqi.
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