Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
Church, it is some comfort to feel that our people have tried to retain
due respect for some of the other daily uses of the Church, inferior
though they be. In Spain, though I was in parish churches almost every
day during my journey, I do not remember seeing the western gallery in
use more than once. Sometimes it has been my fate to meet with men who
suppose that the common objection to galleries in churches is, that
there is no old “authority” for them. Well, here in Spain there is
authority without end; and I commend to those Anglicans who wish to
revive or retain their use in England the curious fact, that the country
in which we find it is one distinguished beyond all others by the very
decided character of its Romanism, and the period in which they were
erected there, one in which Rome was probably more hostile to such as
they than any other in the whole course of her history.[45]
The gallery of San Nicolas is less important than most of its class are;
and there is indeed little to detain any one within its walls.
Externally there is a low tower rising out of the west end of the south
aisle. This has a fine third-pointed south doorway with an ogee
crocketed canopy, and a belfry stage of two lancet-lights on each face,
roofed with a flat roof of pantiles. The remainder of the church has
been much altered; but a good flying-buttress remains on the south side,
and one or two lancet-windows which convey the impression that the first
foundation of the church must have been in the thirteenth century. The
east wall is not square, but built so as to suit the irregular site. The
whole church is ungainly and ugly on the exterior, and its planning and
proportions neither picturesque nor scientific. It is, in short, one of
those churches of which we have so many in England, from which nothing
is to be learnt save on some small matter of detail; and the
alterations of its roofs, windows, and walls have in the end left it an
ungainly and uncouth outline, which is redeemed only by its picturesque
situation on the slope of the hill just above the cathedral parvise,
with which it groups, and from which it is well seen.
Public-domain text, read in full here on John Shaqi.
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