Some Account of Gothic Architecture in SpainStreet, George Edmund
History
Some Account of Gothic Architecture in Spain
Street, George Edmund
Architecture, Gothic -- Spain; Church architecture -- Spain
The cloister on the south side is almost all modernized, though one or
two old doorways remain. That into the south transept has spiral shafts,
with the spiral lines reversed at regular intervals. It has also some
very good carving of foliage, with birds and naked figures, and on its
jambs are some memorial inscriptions of A.D. 1190, 1192, and 1194. On
the south side of the cloister is a richly decorated little chapel,
which retains in one corner a very curious mediæval organ, with
shutters. On the east side and close to the transept, what was no doubt
the original Chapter-house still remains, though it is now called the
Mozarabic chapel, and was formerly used for the Mozarabic ritual. At
present the boy who had the keys said it was not used; but the proper
books were all there. It is a very remarkable chamber, square in plan
below, and brought to an octagon above by arches thrown across the
angles, and finally roofed with a sort of dome, carried upon moulded and
carved ribs of very intricate contrivance. The interlacing of these ribs
gives the work somewhat the effect of being Moorish, and there can be
little doubt, I think, that it owes its peculiarities in some degree to
Moorish influence. It will be seen by reference to the plan, that the
groining ribs are arranged in parallel pairs. The ribs go from the
angles to the centre of the opposite side instead of from angle to
angle, and the sixteen ribs form a star-shaped compartment in the
centre. This coupling of ribs in parallel lines is a feature of Moorish
work, and is seen in the curious mosque, the Cristo de la Luz, at
Toledo, and in the somewhat Moorish vault of the Templars’ church at
Segovia. But whether Moorish or not, it is a remarkable room, and
deserves careful study. The diameter is but a little over twenty-six
feet, and the light is admitted by small windows in the upper stage. I
should be inclined to attribute this room and its vault to the architect
of the lantern of the church, and I regret that the only part of the
outside which I could see was so modernized as to render it impossible
to ascertain the original design. I call this the Chapter-house, because
I find that it opened originally into the cloister, with three arches,
that in the centre a doorway, the others windows of two lights--the
almost invariable arrangement of all Chapter-houses at this time.[95]
A considerable number of masons’ marks remain on the exterior of the
early part of this church; and if they are the marks of the men who
erected so complicated a piece of stonework as the vault of the
Chapter-house, they well deserve to be preserved. Throughout this
church, indeed, the masonry is unusually good, and, owing to the rich
warm colour of the stone, the eastern apses, though they follow the
common design of most of the Romanesque apses in this part of Spain, are
more than usually good in their effect.
Public-domain text, read in full here on John Shaqi.
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