The man in China, for instance, need not go to the future
fair at all. He will probably be able to see and hear it all at home. If
he does go he can return to Shanghai for his lunch.
But the American as seen at this fair, although first of all practical,
is not, from another point of view, so far behind in his artistic sense
as we are in the habit of considering him. In the first place, he is
found, as a rule, standing before the best paintings and passing by the
poorer ones. Those galleries containing the finest works are invariably
the most crowded. And this is the greatest compliment we can pay
ourselves. If, on the other hand, enthusiastic groups collected about
the impressionists, and took pleasure in the purple and yellow
“effects,” that are sprinkled about the French and American sections,
there would be cause for anxiety. But such is not the case. That the
impressionists still count their warmest admirers among themselves,
their wives, sisters, and aunts, is a hopeful sign. As a people, we take
many things less seriously than some of our contemporaries, but in
matters of art we like it with a purpose. Too little clothing still
strikes us as frivolous and improper. Blood, violence, and all
unpleasantness are sometimes historically instructive, but, as a rule,
we are fond of comfortable subjects. We still like a taste of sugar in
our art.
But the brightest sign of all is the universal and hearty appreciation
by the multitude of the buildings themselves. The expressions of delight
by those who see for the first time these marvels of architectural
beauty, indicate at least a capacity for artistic enjoyment. In fact,
the American who steps for the first time upon the borders of the Grand
Basin, and looks upon the scene before him without a tingle of pride and
pleasure is not of the stuff he should be. No words can give a just idea
of the magnificence and restful beauty of this gigantic achievement.
Rome and Greece were of marble and built for a more serious purpose.
This is a city for a single summer. As such it is a complete and
glorious triumph.
* * * * *
Public-domain text, read in full here on John Shaqi.
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