When did that dreadful Mask first look at me? Who put it on, and why was I so frightened that the sight of it is an era in my life? It is not a hideous visage in itself; it is even meant to be droll, why then were its stolid features so intolerable? Surely not because it hid the wearer’s face. An apron would have done as much; and though I should have preferred even the apron away, it would not have been absolutely insupportable, like the mask. Was it the immovability of the mask? The doll’s face was immovable, but I was not afraid of _her_. Perhaps that fixed and set change coming over a real face, infused into my quickened heart some remote suggestion and dread of the universal change that is to come on every face, and make it still? Nothing reconciled me to it. No drummers, from whom proceeded a melancholy chirping on the turning of a handle; no regiment of soldiers, with a mute band, taken out of a box, and fitted, one by one, upon a stiff and lazy little set of lazy-tongs; no old woman, made of wires and a brown-paper composition, cutting up a pie for two small children; could give me a permanent comfort, for a long time. Nor was it any satisfaction to be shown the Mask, and see that it was made of paper, or to have it locked up and be assured that no one wore it. The mere recollection of that fixed face, the mere knowledge of its existence anywhere, was sufficient to awake me in the night all perspiration and horror, with, “O I know it’s coming! O the mask!” I never wondered what the dear old donkey with the panniers—there he is! was made of, then! His hide was real to the touch, I recollect. And the great black horse with the round red spots all over him—the horse that I could even get upon—I never wondered what had brought him to that strange condition, or thought that such a horse was not commonly seen at Newmarket. The four horses of no colour, next to him, that went into the waggon of cheeses, and could be taken out and stabled under the piano, appear to have bits of fur-tippet for their tails, and other bits for their manes, and to stand on pegs instead of legs, but it was not so when they were brought home for a Christmas present. They were all right, then; neither was their harness unceremoniously nailed into their chests, as appears to be the case now. The tinkling works of the music-cart, I _did_ find out, to be made of quill tooth-picks and wire; and I always thought that little tumbler in his shirt sleeves, perpetually swarming up one side of a wooden frame, and coming down, head foremost, on the other, rather a weak-minded person—though good-natured; but the Jacob’s Ladder, next him, made of little squares of red wood, that went flapping and clattering over one another, each developing a different picture, and the whole enlivened by small bells, was a mighty marvel and a great delight.