Owing to the social position of the accused, and the enormity of her offence, the eyes of the whole nation were turned to the tragedy at Henley. Gossips of the day, such as Horace Walpole and Tate Wilkinson, tell us that the story of Miss Blandy was upon every lip. In spite of the noble irony of ‘Drawcansir’ Fielding, journalists and pamphleteers had no scruple in referring to the prisoner as a wicked murderess or a cruel parricide. Yet the case of Henry Coleman, who, during the August of this year, had been proved innocent of a crime for which he had suffered death, should have warned the public against hasty assumption. For six months the dark woman was waiting for her trial. Although it was the custom for a jailor to make an exhibition of his captive to anyone who would pay the entrance fee, nobody was allowed to see Miss Blandy without her consent. Two comfortable rooms were set apart for her in the keeper’s house; she was free to take walks in the garden, and to have her own maid. At last, when stories of a premeditated escape were noised abroad, Secretary Newcastle, in a usual state of fuss, fearing that she might repeat the achievement of Queen Maud, gave orders that she must be put in irons. At first Thomas Newell, who had succeeded her father as town clerk of Henley four years previously, was employed in her defence, but he offended her by speaking of Cranstoun as “a mean-looking, little, ugly fellow,” and so she dismissed him in favour of Mr Rives, a lawyer from Woodstock. Her old invincible courage had returned, and only once--when she learnt the paltry value of her father’s fortune--did she lose self-possession. For a dismal echo must have come back in the mocking words, “When the old man is in his grave you shall be happy.” At last the magistrates--Lords Cadogan and ‘New-Style’ Macclesfield, who had undertaken duties which in later days Mr Newton or Mr Montagu Williams would have shared with Scotland Yard--finish their much-praised detective work, and on Tuesday, the 3rd of March 1752, Mary Blandy is brought to the bar. The Court meets in the divinity school, since the town-hall is in the hands of the British workman, and because the University, so ‘Sir Alexander Drawcansir’ tells his readers, will not allow the use of the Sheldonian Theatre. Why the most beautiful room in Oxford should be deemed a fitter place of desecration than the archbishop’s monstrosity is not made clear. An accident delays the trial--this second ‘Great Oyer of Poisoning!’ There is a small stone or other obstruction in the lock--can some sentimental, wry-brained undergraduate think to aid the gallows-heroine of his fancy?--and while it is being removed, Judges Legge and Smythe return to their lodgings. [Illustration: _THE DIVINITY SCHOOL, OXFORD._]