England -- Social life and customs -- Fiction; World War, 1914-1918 -- Social aspects -- England -- Fiction
Tietjens, on the other hand, could not remember what coloured tie he had
on. He had taken a cab from the office to their rooms, had got himself
into a loose, tailored coat and trousers, and a soft shirt, had packed,
quickly, but still methodically, a great number of things in an immense
two-handled kit-bag, which you could throw into a guard's van if need
be. He disliked letting that "man" touch his things; he had disliked
letting his wife's maid pack for him. He even disliked letting porters
carry his kit-bag. He was a Tory--and as he disliked changing his
clothes, there he sat, on the journey, already in large, brown,
hugely-welted and nailed golf boots, leaning forward on the edge of the
cushion, his legs apart, on each knee an immense white hand--and
thinking vaguely.
Macmaster, on the other hand, was leaning back, reading some small,
unbound printed sheets, rather stiff, frowning a little. Tietjens knew
that this was, for Macmaster, an impressive moment. He was correcting
the proofs of his first book.
To this affair, as Tietjens knew, there attached themselves many fine
shades. If, for instance, you had asked Macmaster whether he were a
writer, he would have replied with the merest suggestion of a
deprecatory shrug.
"No, dear lady!" for of course no man would ask the question of anyone
so obviously a man of the world. And he would continue with a smile:
"Nothing so fine! A mere trifler at odd moments. A critic, perhaps. Yes!
A little of a critic."
Nevertheless Macmaster moved in drawing-rooms that, with long curtains,
blue china plates, large-patterned wallpapers and large, quiet mirrors,
sheltered the long-haired of the Arts. And, as near as possible to the
dear ladies who gave the At Homes, Macmaster could keep up the talk--a
little magisterially. He liked to be listened to with respect when he
spoke of Botticelli, Rossetti, and those early Italian artists whom he
called "The Primitives." Tietjens had seen him there. And he didn't
disapprove.
For, if they weren't, these gatherings, Society; they formed a stage on
the long and careful road to a career in a first-class Government
office. And, utterly careless as Tietjens imagined himself of careers or
offices, he was, if sardonically, quite sympathetic towards his friend's
ambitiousnesses. It was an odd friendship, but the oddnesses of
friendships are a frequent guarantee of their lasting texture.
Public-domain text, read in full here on John Shaqi.
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