England -- Social life and customs -- Fiction; World War, 1914-1918 -- Social aspects -- England -- Fiction
But Edith Ethel, bent over her rose bowl, was burying her beautiful face
in flower after flower. She was accustomed to do this for many minutes
on end: she thought that, so, she resembled a picture by the subject of
her husband's first little monograph. And so, Valentine thought, she
did. She was trying to tell Macmaster that Friday evenings were
difficult times for her to get away. But her throat ached too much.
That, she knew, was her last sight of Edith Ethel, whom she had loved
very much. That also, she hoped, would be her last sight of Christopher
Tietjens--whom also she had loved very much. . . . He was browsing along
a bookshelf, very big and very clumsy.
Macmaster pursued her into the stony hall with clamorous repetitions of
his invitation. She couldn't speak. At the great iron-lined door he held
her hand for an eternity, gazing lamentably, his face close up against
hers. He exclaimed in accents of great fear:
"Has Guggums? . . . She _hasn't_ . . ." His face, which when you saw it
so closely was a little blotched, distorted itself with anxiety: he
glanced aside with panic at the drawing-room door.
Valentine burst a voice through her agonised throat.
"Ethel," she said, "has told me she's to be Lady Macmaster. I'm so glad.
I'm so truly glad for you. You've got what you wanted, haven't you?"
His relief let him get out distractedly, yet as if he were too tired to
be any more agitated:
"Yes! yes! . . . It's, of course, a secret. . . . I don't want _him_
told till Friday next . . . so as to be a sort of _bonne bouche_ . . .
He's practically certain to go out again on Saturday. . . . They're
sending out a great batch of them . . . for the big push. . . ." At that
she tried to draw her hand from his: she missed what he was saying. It
was something to the effect that he would give it all for a happy little
party. She caught the rather astonishing words: "_Wie der alten schoenen
Zeit._" She couldn't tell whether it was his or her eyes that were full
of tears. She said:
"I believe . . . I believe you're a kind man!"
In the great stone hall, hung with long Japanese paintings on silk, the
electric light suddenly jumped; it was at best a sad, brown place.
He exclaimed:
"I, too, beg you to believe that I will never abandon . . ." He glanced
again at the inner door and added: "You both . . . I will never abandon
. . . you both!" he repeated.
He let go her hand: she was on the stone stairs in the damp air. The
great door closed irresistibly behind her, sending a whisper of air
downwards.
V
Mark Tietjens' announcement that his father had after all carried out
his long-standing promise to provide for Mrs. Wannop in such a way as to
allow her to write for the rest of her life only the more lasting kind
of work, delivered Valentine Wannop of all her problems except one. That
one loomed, naturally and immediately, immensely large.
Public-domain text, read in full here on John Shaqi.
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