England -- Social life and customs -- Fiction; World War, 1914-1918 -- Social aspects -- England -- Fiction
It came into her head that she was losing too much time in this Salle
des Pas Perdus! She would have to take the train home! Fivepence! But
what did it matter. Her mother had five hundred a year. . . . Two
hundred and forty times five. . . .
Mark said brightly:
"If now we bought your mother an annuity of five hundred. . . . You say
that's ample to give Christopher his chop. . . . And settled on her
three . . . four . . . I like to be exact . . . hundred a year. . . .
The capital of it: with remainder to you . . ." His interrogative face
beamed.
She saw now the whole situation with perfect plainness. She understood
Mrs. Duchemin's:
"You couldn't expect us, with our official position . . . to
connive . . ." Edith Ethel had been perfectly right. She _couldn't_ be
expected. . . . She had worked too hard to appear circumspect and right!
You can't ask people to lay down their whole lives for their friends! . . .
It was only of Tietjens you could ask that! She said--to Mark:
"It's as if the whole world had conspired . . . like a carpenter's
vice--to force us . . ." she was going to say "together. . . ." But he
burst in, astonishingly:
"He must have his buttered toast . . . and his mutton chop . . . and
Rhum St. James!" He said: "Damn it all. . . . You were made for him. . . .
You can't blame people for coupling you. . . . They're forced to it. . . .
If you hadn't existed they'd have had to invent you . . . Like Dante
for . . . who was it? . . . Beatrice? There _are_ couples like that."
She said:
"Like a carpenter's vice. . . . Pushed together. Irresistibly. Haven't
we resisted?"
His face became panic-stricken; his bulging eyes pushed away towards the
pulpit of the two commissionaires. He whispered:
"You won't . . . because of my ox's hoof . . . desert . . ."
She said:--she heard Macmaster whispering it hoarsely.
"I ask you to believe that I will never . . . abandon . . ."
It was what Macmaster had said. He must have got it from Mrs. Micawber!
Christopher Tietjens--in his shabby khaki, for his wife had spoilt his
best uniform--spoke suddenly from behind her back. He had approached her
from beyond the pulpit of the two commissionaires and she had been
turned towards Mark on his bench:
"Come along! Let's get out of this!" He was, she asked herself, getting
out of this! Towards what?
Like mutes from a funeral--or as if she had been, between the brothers,
a prisoner under escort--they walked down steps; half righted towards
the exit arch; one and a half righted to face Whitehall. The brothers
grunted inaudible but satisfied sounds over her head. They crossed, by
the islands, Whitehall, where the 'bus had brushed her skirt. Under an
archway--
In a stony, gravelled majestic space the brothers faced each other. Mark
said:
"I suppose you won't shake hands!"
Christopher said:
"No! Why should I?" She herself had cried out to Christopher:
Public-domain text, read in full here on John Shaqi.
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