England -- Social life and customs -- Fiction; World War, 1914-1918 -- Social aspects -- England -- Fiction
"Oh, _do_!" (The wireless squares overhead no longer concerned her. Her
brother was, no doubt, getting drunk in a bar in Piccadilly. . . . A
surface coarseness!)
Mark said:
"Hadn't you better? You might get killed! A fellow just getting killed
would not like to think he had refused to shake his brother by the
hand!"
Christopher had said: "Oh . . . well!"
During her happiness over this hyperborean sentimentality he had gripped
her thin upper arm. He had led her past swans--or possibly huts; she
never remembered which--to a seat that had over it, or near it, a
weeping willow. He had said, gasping, too, like a fish:
"Will you be my mistress to-night? I am going out to-morrow at 8.30 from
Waterloo."
She had answered:
"Yes! Be at such and such a studio just before twelve. . . . I have to
see my brother home. . . . He will be drunk. . . ." She meant to say:
"Oh, my darling, I have wanted you so much. . . ."
She said instead:
"I have arranged the cushions. . . ."
She said to herself:
"Now whatever made me say that? It's as if I had said: 'You'll find the
ham in the larder under a plate. . . .' No tenderness about it. . . ."
She went away, up a cockle-shelled path, between ankle-high railings,
crying bitterly. An old tramp, with red weeping eyes and a thin white
beard, regarded her curiously from where he lay on the grass. He
imagined himself the monarch of that landscape.
"That's women!" he said with the apparently imbecile enigmaticality of
the old and the hardened. "Some do!" He spat into the grass; said: "Ah!"
then added: "Some do not!"
VI
He let himself in at the heavy door; when he closed it behind him, in
the darkness, the heaviness of the door sent long surreptitious
whisperings up the great stone stairs. These sounds irritated him. If
you shut a heavy door on an enclosed space it will push air in front of
it and there will be whisperings; the atmosphere of mystery was absurd.
He was just a man, returning after a night out. . . . Two-thirds, say,
of a night out! It must be half-past three. But what the night had
lacked in length it had made up in fantastic aspects. . . .
He laid his cane down on the invisible oak chest and, through the
tangible and velvety darkness that had always in it the chill of the
stone of walls and stairs, he felt for the handle of the breakfast-room
door.
Public-domain text, read in full here on John Shaqi.
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