Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
“These opponents of ours,” he said, “many of them in Parliament openly,
and many of them secretly in the Press, have charged us with being the
promoters of a dangerous excitement. They say we are the source of the
danger which threatens; they have absolutely the effrontery to charge me
with being the friend of public disorder. I am one of the people. Surely
if there be one thing in a free country more dear than another, it is
that any one of the people may speak openly to the people. If I speak to
the people of their rights, and indicate to them the way to secure them,
if I speak of their danger and the monopolies of power, am I not a wise
counsellor, both to the people and to their rulers? Suppose I stood at
the foot of Vesuvius or Etna, and, seeing a hamlet or a homestead
planted on its slope, I said to the dwellers in that hamlet or in that
homestead, ‘You see that vapour which ascends from the summit of the
mountain? That vapour may become a dense black smoke that will obscure
the sky. You see that trickling of lava from the crevices or fissures in
the side of the mountain? That trickling lava may become a river of
fire. You hear that muttering in the bowels of the mountain? That
muttering may become a bellowing thunder, the voice of a violent
convulsion that may shake half a continent. You know that at your feet
is the grave of great cities for which there is no resurrection, as
history tells us; that dynasties and aristocracies have passed away and
their name has been known no more for ever.’ If I say this to the
dwellers upon the slope of the mountain, and if there comes hereafter a
catastrophe which makes the world to shudder, am I responsible for that
catastrophe? I did not build the mountain, or fill it with explosive
materials. I merely warned the men who were in danger.”
As these words stand on the printed page it is not possible to gather
from them their extraordinary influence upon the packed masses of the
crowded hall. Throughout the whole passage his hearers were held as
though by magnetic influence; and as he passed from image to image of
the long metaphor he had adopted, there was a hushed stillness that was
almost oppressive.
Never prodigal of gesture, his slightest movement became for that reason
the more significant and dramatic. The greater part of his speech had
been delivered with the tips of his fingers just touching the table
before him, content, for all accompaniment to the words he uttered, to
rely upon the swiftly changing expression of his leonine face, which
seemed to mirror in its noble dignity the very soul and spirit of the
man.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account