Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
And in his case eloquence was enforced by a noble presence. The
beautiful portrait by Mr. Watts recalls, without exaggeration of
dignity, the man himself as he stood there in the dimly lit chapel in
Great Portland Street; and in gazing again at those chiselled features
that seemed moulded by Nature to serve the speaker’s purpose, I can
almost hear again the tones of that deep sonorous voice which, in its
grave and impassioned utterances, stamped every separate word with
something of the high fervour that so manifestly inspired the preacher.
It was, I think, in virtue of this same quality of spiritual elevation
that the oratory of John Bright stood beyond the reach of rivalry.
Bright never attempted the complexity of thought that distinguished so
many of Martineau’s essays in the pulpit. He laid no claim to the
philosophical spirit as it was understood by Martineau, but he
possessed, even in a greater degree, the power of lifting every topic he
discussed into a higher spiritual atmosphere than any other speaker of
his time could command. And yet this unsurpassed power which he wielded
over an audience was secured by the simplest means, and often in the
simplest language.
In choice of the fitting word Bright was almost faultless. The great
English poets, as we know, he had deeply studied, and, indeed, no one
who was not sensitive to the finer moods of poetic feeling could have
forged such exquisite prose.
I remember my old schoolmaster, Dr. Hill, had been present at the public
breakfast given to William Lloyd Garrison in the year 1867, in
recognition of his efforts for the abolition of slavery. He told me
there was a point in the speech where, after gathering in Miltonic
catalogue the names of the many distinguished men who had been
associated with the movement, Bright turned to his audience with the
added sentence, “and of noble women not a few.” And Dr. Hill said that
these simple words stirred his hearers to a feeling of deepest emotion,
so magical had been the effect of Bright’s superb voice as it passed, in
brief tribute of homage, from one name to another.
This is an illustration, of which many more can be quoted, of how
impossible it is in the case of an orator so great as Bright to realise
that astounding influence from any mere printed record of his speeches.
I myself was present and heard the great oration he delivered at St.
James’s Hall, in 1866, on the subject of Reform. There had been some
turbulent episodes during the Reform agitation in London, and on one
occasion, when the right of meeting in the Park had been refused by the
Government, the railings had been thrown down by the crowd, who had
overborne the forces at the disposal of the authorities.
In certain quarters John Bright had been accused of encouraging the
populace to such acts of violence, and in the speech to which I refer
there was a passage in which he indignantly hurled back upon his enemies
this unworthy suggestion.
Public-domain text, read in full here on John Shaqi.
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