Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
So much cannot be said of Browning. There is enough and to spare in the
great body of his work to leave his position as a poet unassailed, but
there is more to prove that, beside the purely poetic impulse, there
were other forces working in his nature, which, in so far as they
prevail, must tend to rob the result of that faultless music which
alone
[Illustration:
_Hollyer_
ROBERT BROWNING
From the painting by G. F. WATTS, R.A., in the National Portrait
Gallery.
_To face page 201._
]
can give to verse its final right of survival. This is doubtless true
also of Wordsworth, but in his case the good and the bad are easily
separable, and the good at its best is flawless. But with Browning the
conflicting elements of his genius are so closely locked together that
the task of selection is not so easy, and the triumph, even when it has
to be acknowledged, is not so secure.
And yet, for all who then came under his influence, the charm can never
quite be broken. He spoke to those of us who first learned to know him
in our youth with a quickened authority that nothing can quite destroy.
The faults which time now thrusts forward were hardly then matter for
pardon. For those who come after they may indeed serve to set his fame
in peril, but the message he had for us was so overwhelming in its
appeal that we forgot the crabbed hand in which it was transcribed.
In one respect, and in one respect only, Browning the poet found an echo
in Browning as he was known to his friends. That brave optimism of
spirit, with its constant nobility of outlook on the facts of life which
so finely distinguishes his writing, was also, I think, characteristic
of the man. It was always a spiritual refreshment to meet him. The fact
that he was a poet was, indeed, a secret he took some pains to conceal.
In this respect, except for rare lapses of noble enthusiasm, he
preferred to preserve a kind of austere incognito; but at the same time
he contrived to convey even in the simplest converse with the most
ordinary people a sense of personal detachment that nevertheless left
them free to feel at their ease. And yet, often as I have seen him
apparently content with associates who were manifestly his inferiors in
intellect, and even in spirit, I cannot recall a time when his own
personality ever seemed to suffer by the contact.
I suppose no man of his generation responded so readily to the call of
hospitality. He was to be met everywhere, and so keen was his zest in
the ordinary traffic of social life that he seemed at times to be
indifferent to his choice of associates. There was something in his own
power of drawing entertainment from an evening passed in the society of
friends that no measure of dulness in his surroundings seemed capable of
abating.
Public-domain text, read in full here on John Shaqi.
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