Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
But to me personally there was this added penalty, that when I returned
from each such woful debauch, like a stricken soldier from the field, I
was compelled to endure without defence the reproachful glance of my
nurse’s eye, which told me as clearly as though it were written upon the
wall that I had but earned the appointed wages of sin. This nurse of
mine was in many ways a remarkable character. Linked with a nature
surely the most loving and affectionate that a child could desire, were
the sternest principles of religion and morality ever implanted in the
human breast--principles associated with so slender a store of
intellectual endowment that even to my childish mind their vehement
announcement was sometimes grotesque.
One of her most deeply rooted convictions was that the principle of life
insurance was a direct defiance of the laws of God: a proposition which
she sought to establish by a terrible tale of a butcher of Lewes, who,
having flouted Providence by affecting an insurance upon his life,
within half an hour after the conclusion of this prudent operation fell
down dead as he descended the steps of the market-hall.
Her intellectual equipment was perhaps no scantier than that of many
other women, but the fervour with which she employed it in the service
of her religious principles might have made her a desolating influence
upon the life of a child, if her loving and kindly nature had not
constantly given the lie to the rigid creed she innocently believed was
guiding her conduct through life.
It is undeniable, however, that such influences first exercised in
childhood are long remembered, and it was many a day before I could
quite free myself from the thought that the study of dramatic art was
not in some degree associated with a sinful life. It is difficult to say
whether this hovering sense of wrong-doing is not in its nature an added
incentive to enjoyment. Certain it is that the pleasures of the
play-house became a factor of increasing influence in my life. There was
an old laundry attached to our house at Barnes which seemed to us
singularly unfitted for its destined purpose, but which might, as we
thought, be easily adapted as an arena for the performance of stage
plays, and here, urged on by a wicked cousin who has since, as a fitting
penalty for his youthful delinquencies, become a clergyman, I began my
career as an amateur actor. We had at that time a distrust of all
feminine help, and chose for our essays in histrionic art only those
plays in Lacy’s list wherein the plot might be expounded by the
exclusive support of male performers.
It chanced, while I was at Bruce Castle School, I had for one of my
comrades poor Dick Bateman, son of Richard Bateman, who had about that
time, or soon after, become Irving’s manager at the Lyceum. Together we
became editors of a school magazine, and it was through him afterwards
that I won my first introduction to the theatre.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account