Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
He was remarkable as a schoolboy for a prodigious and extraordinary
memory. I have spoken, in the earlier pages of this book, of the memory
of Churton Collins, but in Dick Bateman’s case the faculty was
differently exercised. It seemed in him to be purely mechanical, and we
used to delight, as schoolboys, to set him the task, in which he rarely
failed, of reading over a page of any author and then requiring of him
that he should repeat it word for word. That special kind of memory
which appeared to be detached from any personal interest in the matter
recalled, it has not been my chance to see equalled in any other man I
have known.
I have spoken of him as “poor” Dick Bateman because he met an early and
tragic fate, for after a few years spent in London in occasional
employment under his father he was sent upon some business adventure to
the East, and was drowned in a shipwreck which occurred off the coast of
Japan. But in our schooldays, and in the years immediately succeeding
our schooldays, we were close comrades, and it was through him that I
won my first knowledge of Irving, who had already appeared in several
plays in which I had seen him, but who had then been recently engaged by
Mr. Bateman as a leading actor to support his daughter, Isabella
Bateman, in whose interests he had undertaken the management of the
Lyceum Theatre. I had seen Irving before that time when he had played
Bob Gassett in _Dearer than Life_ at the Queen’s Theatre, and I had seen
him again in _Uncle Dick’s Darling_ at the Gaiety, when he had appeared
in company with Toole.
It was of the latter performance that Toole afterwards told me Charles
Dickens had said, when he saw it, that he thought it admirable in the
promise it gave of the young actor’s ability; though he had added: “I
fancy that both he and the author have cast an eye over my character of
Mr. Dombey--eh, Toole?” And to any one who saw the performance there
could have been no doubt as to the justice of Dickens’s suggestion. It
was at a little later date that Irving achieved his first great success
with the public in the character of Digby Grant in Mr. Albery’s play of
_The Two Roses_, and it was after that again that he became permanently
engaged to Mr. Bateman.
Public-domain text, read in full here on John Shaqi.
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