Some eminent Victorians: Personal recollections in the world of art and letters — John Shaqi
Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
O’Neil, who was older than I, and who had already had some slight
experiences as a journalist, with a desire to encourage my budding
ambition, asked me to do a criticism on a recently published volume of
Longfellow’s Poems for this same _Dramatic and Musical Review_, of which
he was the proud editor. I duly received and duly corrected the printed
proof of my article with feelings of exaltation only to be realised by
those who, for the first time, see their ideas in printed type, and then
waited with eager expectation for the day of publication.
The office was situated in that older part of the Strand near St.
Clement Danes which is now no more, and the publisher owned the two-fold
responsibility of also issuing another weekly journal entitled the
_Labour News_. Twopence was, I think, the price of our artistic organ,
and as early as I could on the Saturday morning I presented myself at
the office and tendered the sum required. Almost overwhelmed with
excitement I rapidly scanned the columns of this slender journal to find
the first-fruits of my pen. But my search yielded nothing but
disappointment. The article was not there. I stood in the tiny office
crushed by a sense of failure and misfortune, and was just going out
into the grey street when the enterprising boy behind the counter,
actuated by the simple desire to do business, asked me if I wanted a
copy of the _Labour News_.
As a fact I wanted nothing but some place to hide the sense of
humiliation which overpowered me, but as he added, “It’s only a penny,”
I took the journal and went out into the street, and, as I listlessly
scanned its pages through, I found, to my astonishment, my lost article
on Longfellow’s Poems.
It turned out afterwards that the _Dramatic and Musical Review_ in that
particular week had more than its needed supply of “copy,” and the
_Labour News_, on the other hand, finding itself short of material, a
bright idea had come into the printer’s mind that the review of
Longfellow’s Poems might be appropriately set beside advertisements as
to the advantages of Canadian Emigration.
Little by little, from this first ludicrous start, I gained a modest
footing in the world of journalism, at first as dramatic critic to the
_Echo_, then edited by Arthur Arnold, brother of Sir Edwin Arnold, so
long connected with the _Daily Telegraph_.
My services upon the _Echo_ were not particularly lucrative, the payment
for an article being rarely more than six or seven shillings; and my
fare to and from Clapham Junction, where we lived at the time, and the
necessary modest meal before the theatre began, almost entirely absorbed
the sum that I earned.
From the _Echo_ I drifted to the _Globe_, which was then under the
editorship of Dr. Mortimer Granville, and here my work began in
something like earnest. During my services as dramatic critic I had
become acquainted with Thomas Purnell, and it was he who secured for me
a regular position upon the staff of the _Globe_.
Public-domain text, read in full here on John Shaqi.
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