Some eminent Victorians: Personal recollections in the world of art and letters — John Shaqi
Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
Unlike poor Purnell, the choice of a topic never presented any
difficulty to him. Almost any subject served him for a light and
graceful essay, and the fertility of his invention in this regard was
more than remarkable. Happily for his own sake, and for the sake of the
nation which he has served with so much distinction, he need no longer
rack his brains, as in the old days, for the material that would fill a
column in the _Echo_; and though it is many years since we met, I know,
through many messages that I have received from him, that he looks back
with kindly remembrances to those times when we struggled side by side.
It is a strange thing about a journalist’s career, when it is
successful, that at the first it seems so hard to get the work to do,
and then later so hard to do the work that comes. In those early days
every new opening was only won after a struggle, yet within a very few
years I found myself almost overwhelmed by the tasks that were laid upon
me.
From the _Globe_ I passed to the _Pall Mall Gazette_, where I succeeded
Professor Colvin as its Art Critic; from the _Pall Mall_ to the
_Saturday Review_ and the _Examiner_; and then a little later I joined
the staff of the _World_, which had recently been founded by Edmund
Yates.
These different changes of occupation brought many new friends and many
new editors, but of all those under whom I have served I think I should
signalise Mr. Frederic Greenwood as by far the most inspiring to his
contributors. Not that to be numbered among Mr. Greenwood’s contributors
always implied a peaceful career; he was an autocratic commander, whose
powerful personality loved to assert itself in every department of his
paper, and he and I in those days had sharp encounters with regard to
that particular arena of art criticism over which I thought I was
entitled to exercise independent control.
But those differences are long forgotten, and the remembrance that
survives is of a keen and ardent intelligence that communicated its own
warmth of purpose to all who served under his banner.
Very different in type was Mr. Harwood, the editor of the _Saturday
Review_. On the quiet evenings that I sometimes passed at his house in
Regent’s Park, when he would spend most of the time after dinner in
playing on his violoncello, it seemed hardly possible to realise that he
was the capable conductor of what was even then a mighty organ of public
opinion.
I suppose that hardly any British journal has ever boasted among its
contributors so many eminent men in so many varied ways of life as one
could see gathered at the great annual dinner of the _Review_ in the
“Trafalgar” at Greenwich, presided over by Mr. Beresford Hope.
Public-domain text, read in full here on John Shaqi.
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