Some eminent Victorians: Personal recollections in the world of art and letters — John Shaqi
Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
Sala, I think, possessed a larger assortment of odd scraps of knowledge
than any man I have ever met, and although his chequered career
presented many vicissitudes, he had cultivated, as he told me, from
boyhood the habit of keeping a series of most carefully compiled
commonplace books, in which were recorded, under headings sometimes
quaintly chosen, every bit of information or historical allusion which
even remotely bore upon the subject in hand.
He told me that in the wildest and most disordered periods in his career
this habit had never deserted him, and one evening, when I was dining
with him in Mecklenburg Square, he showed me one entire shelf packed
with these little volumes, all written in the neatest of monkish hands,
and almost without a blot or scar.
I have often wondered what has become of those note-books from which he
drew such varied allusions for his characteristic articles in the _Daily
Telegraph_. They would be a treasure-store to many a budding journalist,
and as far as I could gather, from a rapid review of them during that
one evening at his house, a delight even to the casual reader.
Sala, like his friend Yates, was an accomplished speaker, and a keen
critic on all presumptuous pretenders in that department.
I remember one evening, coming away from a public banquet at which he
had admirably distinguished himself, I ventured to ask him what he
thought of the performance of a gentleman who had followed him, and who
I knew rather prided himself upon his achievements in this particular
direction.
“Oh!” said Sala in reply, “you mean so-and-so. Ah yes! Damned fluent,
damned fool!” The comment sounds harsh, but I do not think it was
unjust. He used to tell me that in the preparation and delivery of his
speeches there was always present to his mind the image of a furnished
house, and that he kept his material in order and sequence by suggesting
to himself, as he spoke, that he was inspecting the various apartments,
from the dining-room to the attic, and that in this way he could always
avoid any halt or confusion in the arrangement of the matter upon which
he was speaking.
Yates, I fancy, though his delivery was always admirable in effect, was
accustomed to learn his speeches by heart, and in this respect resembled
the late Sir Frederick Leighton, though with the latter the secret was
not so well kept.
William Beatty-Kingston, the last of the special correspondents to whom
I referred, had no aptitude for public speaking, but he was in many ways
highly accomplished. As an amateur musician I should think he had few
equals, and his absolute enjoyment when he was seated at the piano,
passing from the work of one great master to another, was a delight to
witness. I remember that one evening my wife and I had invited to meet
him a very gifted young Italian violinist, and it was a suggestion of
ours that after dinner they should try over some of the duets of the
great composers.
Public-domain text, read in full here on John Shaqi.
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