Some eminent Victorians: Personal recollections in the world of art and letters — John Shaqi
Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
On the _Examiner_ I felt free and unfettered, free to choose any topic
that pleased me, and to treat it in whatever way seemed to me best. I
have always thought that Minto’s great powers as a critic of literature
have never been sufficiently recognised. His separate volumes on the
Poetic Writers and the Prose Writers of England contain some of the best
criticism of our time, and, in especial, the section in the former
devoted to the tragedies of Shakespeare has hardly been equalled in
fineness of perception and in sustained eloquence of style.
Though in many ways characteristically Scotch, he had a liberal and
supple mind, with a wide grasp and a generous outlook on political
affairs, and an appreciation even of lighter works of literature that
was hardly to be suspected from his grave and sober personality.
Very delightful were the little smoking evenings he instituted in the
offices of the _Examiner_, which were then situated near Wellington
Street in the Strand. There it was that I first met the late Bishop
Creighton, who was at the time a constant contributor to the paper.
Theodore Watts-Dunton was also a pretty regular visitor on these simple
social occasions, and there, too, I met that strangest of accomplished
scholars, “Student Williams,” who had long been known as an Oxford
coach, and who was now devoting himself to a journalistic career.
It is strange to reflect what a complete revolution has overtaken
English journalism in the period of thirty years that has passed since
the time of which I am speaking. Literature and journalism have now
almost parted company, and although the older tradition still honourably
survives in individual instances, it is impossible not to be conscious
that the function of a journalist, as it is now most widely accepted,
has entirely changed its character.
The sort of article that was eagerly sought for then is now rarely
welcomed, and when we recall the names of the men who wrote for the
_Saturday Review_, and the great body of accomplished writers who lifted
the _Pall Matt Gazette_ in its earlier days into a foremost position
among English journals, it will readily be conceded that the revolution
is already complete. Reporting has largely taken the place of criticism,
and the modern newspaper office, ordered on popular lines, more nearly
approaches day by day to a powerful agency for private inquiry and
detection.
CHAPTER IV
THE BAR
Public-domain text, read in full here on John Shaqi.
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