Some eminent Victorians: Personal recollections in the world of art and letters — John Shaqi
Some eminent Victorians: Personal recollections in the world of art and lettersCarr, J. Comyns (Joseph Comyns)
General
Some eminent Victorians: Personal recollections in the world of art and letters
Carr, J. Comyns (Joseph Comyns)
Art, Victorian; English literature -- 19th century; Great Britain -- Intellectual life -- 19th century
In after years he once told me that his habit had always been to prepare
his cases chronologically. He wanted to know what was missing in the
story he had to tell, to be prepared in anticipation for any surprise
coming from the other side that might suddenly be brought to fill the
vacant gaps in his own narrative. And this simple process of preparation
showed itself in his methods as an advocate. His power of presenting his
case had something of the charm a story-teller can command. It was
always lucid, direct, and consecutive, never halting or confused. Sir
William Gilbert once told me that on a certain occasion he was in Court
listening to his own counsel opening to the jury the story of his own
case. He said he was charmed, by the interest of the narrative as it
was gradually developed, and that the only criticism that occurred to
him was that the substance of the speech bore no relation to the
contention he had come into Court to establish. Such a reproach, I
think, could never at any period in his career have been made against
the late Lord Russell.
I did not at first recognise that Russell had in his constant opponent,
John Holker, a man of intellectual power, as great, or perhaps even
greater, than his own. Holker had little of the grace that Russell could
boast; his personality was outwardly heavy and uncouth; his language,
rarely eloquent, was sometimes even rough and halting. But in his grasp
of every case presented to him, and in his power of imposing the view he
sought to uphold upon a northern jury, even Russell was not his equal. A
man of great physique, in person cumbrous and heavy, and in facial
expression unalert and uninspiring, he sometimes gave to his hearers
rather the impression of a giant talking in his sleep.
But as I watched him from day to day, it very soon became convincingly
clear to me that the giant was there. He seemed to notice nothing, and
yet nothing escaped him. His method of appeal to the jury had something
almost of cunning in its apparent helplessness.
Even when he was nearing success, and the verdict was within his grasp,
he still retained the air of a man whose cause was in danger owing to
his inferior grace of style and his halting powers of eloquence. He had
that persuasive art of convincing the jury that he was a plain man like
themselves, and that the cause of justice was likely to suffer by
reason of the superior intellectual attainments of his opponents, unless
he and they laid their heads together as plain men, and stood shoulder
to shoulder in earnest endeavour to vindicate the right.
Public-domain text, read in full here on John Shaqi.
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