In the old days there was probably a parterre at Melbourne, now no
longer existing. The figures of kneeling slaves were possibly the centre
ornaments of its two divisions, on what is now the upper lawn. This
portion of the garden is rather liberally, and perhaps somewhat
injudiciously, planted with a mixture of conifers, put in probably
thirty to forty years ago, when the remains of good old garden designs
were not so reverently treated, nor their value so well understood, as
now. Some of this planting has even strayed to the banks of the Great
Water. The pleasure ground of Melbourne is a precious relic of the past,
and, even though the ill effects of the modern planting of various
conifers may be less generally conspicuous there than it is in many
places, yet it is distinctly an intrusion. The tall trees inclosed by
massive yew hedges, the pools and fountains, the statues and other
sculptured ornaments, all recall, with their special character of garden
treatment, the times and incidents that Watteau loved to paint. Such a
picture as his _Bosquet de Bacchus_, so well known by the engraving,
with its gaily-dressed groups of young men and maidens seated in the
grassy shade and making the music of their lutes and voices accompany
that of the fountains’ waters, might have been painted at Melbourne.
For here are the same wide, green-walled alleys, the pools, the
fountains and the ornamental details of the great gardens of courtly
France of two hundred years ago acclimatised on English soil; not in the
dreary vastness of Versailles, but tamed to our climate’s needs and on a
scale attuned to the more moderate dimensions of a reasonable human
dwelling.
BERKELEY CASTLE
This venerable pile, one of the oldest continuously-inhabited houses in
England, stands upon a knoll of rising ground at the southern end of the
tract of rich alluvial land known as the Vale of Berkeley, that
stretches away for ten miles or more north-eastward in the direction of
Gloucester. Within two miles to the west is the Severn, already a mile
across and rapidly widening to its estuary. On the side of the higher
ground the town creeps up to the shelter of the Castle and the grand old
church, on the lower is a level stretch of water-meadow.
Seen from the meadows some half-mile away it looks like some great
fortress roughly hewn out of natural rock. Nature would seem to have
taken back to herself the masses of stone reared by man seven and a half
centuries ago.
Public-domain text, read in full here on John Shaqi.
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