There is sometimes a flower-border at the base of such a house; where this occurs it is a common thing to see it left bare in winter and in the early year dotted with bulbous plants and spring flowers; to be followed in summer with bedding-plants. No such things look well or at all in place directly against a building. The transition from the permanent structure to the transient vegetation is too abrupt. At least the planting should be of something more enduring and of a shrubby character, and mostly evergreen. Such plants as _Berberis Aquifolium_, Savin, Rosemary and Laurustinus would seem to be the most suitable, with the large, persistent foliage of the Megaseas as undergrowth, Pyrus japonica for early bloom, and perhaps some China Roses among the Rosemary. But happily this house has been treated as to its environment with the wisest restraint. No showy or pretentious gardening intrudes itself upon the great charm of the place, which is that of quiet seclusion in a beautiful but little-known part of the county. The place lies among fields--just the House, the Church and the Rectory. There is no village or public road. The house is approached by a long green forecourt inclosed by walls. Between this and the kitchen garden is the quiet, low, stone-roofed church, in a churchyard that occupies such another parallelogram as the forecourt. The pathway to the church passes across the forecourt into the restful churchyard with its moss-grown tombs and bushes of old-fashioned Roses, and the grassy mounds that mark the last resting-place of generations of long-forgotten country folk. The church has a bell-cote built upon the gable of its western wall of remarkable and very happy form, stone-roofed like the rest. Among the graves stands the base--three circular steps and a square plinth--of what was once an ancient stone cross. The church seems to lie within the intimate protection of the house, adding by its presence to the general impression of repose and peaceful dignity. The picture shows the walled and balustraded entrance, probably contemporary with the classical façade, wrought of the local Ham Hill stone; a capital freestone for the working of architectural enrichment. It is of a warm yellowish-brown colour; but grey and yellow lichens and brown mosses have painted the surface after their own wayward but always beautiful manner. A light cloud of _Clematis Flammula_ peeps over the bushes through the balusters. Stonework so good as this can just bear such a degree of clothing with graceful flowery growth; no doubt it is watched and not allowed to hide too much with an excess of overgrowth. Where garden architecture is beautiful in proportion and detail it is not treating it fairly to smother it with vegetation. How many beautiful old buildings are buried in Ivy or desecrated by the unchecked invasion of Veitch’s Virginia Creeper! BALCASKIE