The large rectangular pool, known as the Canal, bordered with a bold
kerb, has at its upper end a double stair-way; the retaining wall at the
head of the basin is cunningly wrought into buttress and niche. Every
niche has its appropriate sculpture and each buttress-pier its urn-like
finial. On the upper level is a circular fountain bordered by the same
kerb in lesser proportion, with stone vases on its circumference. The
broad walk on both levels is bounded by close walls of living
[Illustration: THE TERRACE, BROCKENHURST
FROM THE PICTURE IN THE POSSESSION OF MR. G. N. STEVENS]
greenery; on the upper level swinging round in a half circle, in which
are cut arched niches. In each leafy niche is a bust of a Cæsar in
marble on a tall term-shaped pedestal. Orange trees in tubs stand by the
sides of the Canal. This is the most ornate portion of the garden, but
its whole extent is designed with equal care. There is a wide
bowling-green for quiet play; turf walks within walls of living green;
everywhere that feeling of repose and ease of mind and satisfaction that
comes of good balance and proportion. It shows the classical sentiment
thoroughly assimilated, and a judicious interpretation of it brought
forth in a form not only possible but eminently successful, as a garden
of Italy translated into the soil of one of our Southern Counties.
Whether or not it is in itself the kind of gardening best suited for
England may be open to doubt, but at least it is the work of a man who
knew what he wanted and did it as well as it could possibly be done.
Throughout it bears evidence of the work of a master. There is no doubt,
no ambiguity as to what is intended. The strong will orders, the docile
stone and vegetation obey. It is full-dress gardening, stately,
princely, full of dignity; gardening that has the courtly sentiment. It
seems to demand that the actual working of it should be kept out of
sight. Whereas in a homely garden it is pleasant to see people at work,
and their tools and implements ready to their hands, here there must be
no visible intrusion of wheelbarrow or shirt-sleeved labour.
Possibly the sentiment of a garden for state alone was the more
gratifying to its owner because of the near neighbourhood of miles upon
miles of wild, free forest; land of the same character being inclosed
within the property; the tall trees showing above the outer hedges and
playing to the lightest airs of wind in an almost strange contrast to
the inflexible green boundaries of the ordered garden.
The danger that awaits such a garden, now just coming to its early
prime, is that the careful hand should be relaxed. It is an heritage
that carries with it much responsibility; moreover, it would be ruined
by the addition of any commonplace gardening. Winter and summer it is
nearly complete in itself; only in summer flowers show as brilliant
jewels in its marble vases and in its one restricted parterre of
box-edged beds.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account