Thou walkest with me when I walk,
When to my bed for rest I go,
I find Thee there,
And everywhere;
Not youngest thought, in me doth grow,
No, not one word I cast to talk,
But yet unuttered, Thou dost know.
If forth I march, Thou goest before;
If back I turn, Thou comest behind
So forth nor back
Thy guard I lack,
Nay, on me, too, Thy hand I find.
Well I Thy wisdom may adore,
But never reach with earthly mind.
To shun Thy notice, leave Thine eye,
Oh, whither might I take my way?
To starry sphere?
Thy Throne is there.
To dead men's undelightsome stay?
There is Thy walk, and there to lie
Unknown, in vain I should essay.
O Sun, whom light nor flight can match,
Suppose thy lightful, flightful wings
Thou lend to me,
And I could flee
As far as thee the evening brings:
Even led to West, He would me catch,
Nor could I lurk with Western things.
Do thou thy best, O secret Night,
In sable veil to cover me;
Thy sable veil
Shall vainly fail:
With day unmasked my night shall be,
For night is day, and darkness light,
O Father of all Lights, to Thee.
While this brilliant translation of the Book of Psalms would itself
have sufficed to have made the reputation of the Countess of Pembroke
as a scholar and poet, her poetical work was not limited thereto. We
have also from her pen: "The Tragedie of Antonie: done into English by
the Countess of Pembroke," published 1595, and a "Pastoral dialogue in
praise of Astrea," published in Davidson's "Poetical Rapsody," in
1662, which is stated to have been made on the occasion of a visit
being paid by the Queen at the house of the Countess.
This learned lady also left in manuscript a poem of considerable
length entitled, "The Countess of Pembroke's Passion." It is only
during the present century that this work has been given to the
world. The poem is a touching lamentation over the sufferings of the
Saviour. The subject itself, and the way in which it is handled, show
how thoroughly the mind of the writer was impregnated with religious
thought, and her ever ready and tender sympathy. It is a poem of very
unequal merit, but some stanzas are sweet. Take the following:--
He placed all rust, and had no resting place;
He healed each pain, yet lived in sore distress;
Deserved all good, yet lived in great disgrace;
Gave all hearts joy, himself in heaviness;
Suffered them live, by whom himself was slain:
Lord, who can live to see such love again?
* * * * *
Public-domain text, read in full here on John Shaqi.
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