Some old masters of Greek architecture — John Shaqi
Some old masters of Greek architectureDouglas, Harry
History
Some old masters of Greek architecture
Douglas, Harry
Architecture -- Greece; Architecture, Greek
That he may have gone a step too far in the encouragement of pleasure
and the peaceful virtues among a people of warlike antecedents and a
future before them of foreordained defence and conquest, if not final
defeat, may be a subject for speculation; but that he gave an impetus
to literature and art, and by the fervent warmth of his patronage
fostered the growth of genius in a way that had not been equalled
before his time, and which has never been excelled since, is the
principal reason, doubtless, for his immortality.
His head was abnormally long, a defect which the artists of his
time invariably corrected with a helmet when painting or sculpturing
his portrait, and the contemporaneous comic poets and satirists as
continually ridiculed in verse and jest. Speaking of his eloquence
and powers of persuasion, Thucydides relates a pleasant story in
respect to his dexterity in this regard. When Archidamus, king of the
Lacedæmonians, asked Thucydides whether he or Pericles was the better
wrestler, he replied: “When I have thrown him and given him a fair
fall, he, by persisting that he had no fall, gets the better of me, and
makes the bystanders, in spite of their own eyes, believe him.” But in
other respects his physique was well proportioned and his bearing noble
and commanding. His manner was dignified and reserved, his eloquence
strong, fearless and convincing, and his general appearance such as to
inspire the people to compliment him with the name “Olympian Zeus,”
a character in which his portrait was also painted by his favorite,
Phidias.
An English writer well says that the age of Pericles was “the milky
way of great men,” for it was certainly clouded to whiteness with
intellectual stars. The names associated with this era are not only
among the most celebrated in all Grecian history, but among the most
renowned that have sprung forward in the history of all the world.
Poets, philosophers, dramatists, musicians, sculptors, painters,
architects, not only arose in great numbers under his fostering
encouragement, but to the highest eminence in their respective
avocations. In fact, it seems as though the human plant that had
long been growing, strengthening and broadening upon Hellenic soil
had suddenly sprung into the fullest flower and enveloped itself in
intellectual beauty.
The Athens which we so frequently see pictured in all her restored
architectural grace and grandeur, the Athens which from her Acropolis
of chiselled white so proudly surveys the Ægean sea and surrounding
plains, is the Athens of Pericles, noblest of all cities in the
pursuits of virtue, of beauty and contentment, and in the pure
realization of that happiness which the practice of the arts alone can
afford.
Public-domain text, read in full here on John Shaqi.
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