Some Persons UnknownHornung, E. W. (Ernest William)
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Some Persons Unknown
Hornung, E. W. (Ernest William)
English fiction -- 19th century; Short stories, English
"Well, I am coming to that first night presently. Meanwhile, for the
next six months I saw very little of Pharazyn, and less still in the
new year. He seldom came to my rooms now; when he did I could never
get him to stay and sit up with me; and once when I climbed up to his
garret (it was literally that) he would not answer me, though I could
smell his pipe through the key-hole in which he'd turned the key. Yet
he was perfectly friendly whenever we did meet. He said he was working
very hard, and indeed I could imagine it; his personal appearance,
never his strong point, being even untidier, not to say seedier, than
of old. He continued to send me odd magazines in which his stuff
happened to appear, or, occasionally a proof for one's opinion and
suggestions; we had done this to each other all along; but either I did
not think about it, or somehow he led me to suppose that his things
were more or less hot from the pen, whereas many of mine had been
written a twelve-month before one saw them in type. One way or another
I gathered that he was at work in our common groove, and had shelved,
for the present at all events, his proposed play, about which you will
remember I had undertaken to ask no questions.
"I was quite mistaken. One night in the following March he came to me
with a haggard face, a beaming eye, and a stout, clean manuscript,
which he brought down with a thud on my desk. It was the play he had
sketched out to me eight or nine months before. I was horrified to hear
he had been at work upon it alone from that night to this. He actually
boasted that he hadn't written another line in all that time, only
each line of his play some ten times over.
"I recollect looking curiously at his shabby clothes, and then
reminding him that it was at his place, not mine, I was to have heard
him read the play: and how he confessed that he had no chair for me
there--that his room was practically dismantled--that he had sacrificed
everything to the play and would do so again. I was extremely angry. I
could have helped him so easily, independent as I was of the calling I
loved to follow. But there was about him always an accursed unnecessary
independence, which has since struck me--and I think I may say so after
all these years--as the mark of a rather humble, deadly honest origin.
Public-domain text, read in full here on John Shaqi.
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