At the entrance of the hall there was placed a round bowl, from which a great noise, like the fall of waters, proceeded. They found no other thing in the hall,—and when the King, sorrowful and greatly affected, had scarcely turned about to leave the Cavern, the Statue again commenced its accustomed blows upon the floor. After they had mutually promised to conceal what they had seen, they again closed the Tower, and blocked up the gate of the Cavern with earth, that no memory might remain in the world of such a portentous and evil-boding prodigy. The ensuing midnight, they heard great cries and clamour from the Cave, resounding like the noise of Battle, and the ground shaking with a tremendous roar; the whole edifice of the old Tower fell to the ground, by which they were greatly affrighted, the Vision which they had beheld appearing to them as a dream.” Scott’s poem on the Field of Waterloo was written to assist the Waterloo subscription. H. M. THE VISION OF DON RODERICK. PREFACE. THE following Poem is founded upon a Spanish Tradition, bearing, in general, that Don Roderick, the last Gothic King of Spain, when the invasion of the Moors was depending, had the temerity to descend into an ancient vault, near Toledo, the opening of which had been denounced as fatal to the Spanish Monarchy. The legend adds, that his rash curiosity was mortified by an emblematical representation of those Saracens who, in the year 714, defeated him in battle, and reduced Spain under their dominion. I have presumed to prolong the Vision of the Revolutions of Spain down to the present eventful crisis of the Peninsula, and to divide it, by a supposed change of scene, into, THREE PERIODS. The FIRST of these represents the Invasion of the Moors, the Defeat and Death of Roderick, and closes with the peaceful occupation of the country by the victors. The SECOND PERIOD embraces the state of the Peninsula when the conquests of the Spaniards and Portuguese in the East and West Indies had raised to the highest pitch the renown of their arms; sullied, however, by superstition and cruelty. An allusion to the inhumanities of the Inquisition terminates this picture. The LAST PART of the Poem opens with the state of Spain previous to the unparalleled treachery of BUONAPARTE, gives a sketch of the usurpation attempted upon that unsuspicious and friendly kingdom, and terminates with the arrival of the British succours. It may be further proper to mention, that the object of the Poem is less to commemorate or detail particular incidents, than to exhibit a general and impressive picture of the several periods brought upon the stage. EDINBURGH, _June_ 24, 1811. INTRODUCTION. I.