The photo shows old "Theatre Royal" at the time of which I write,
viz., 1866 to 1868, and in which all the theatricals were produced in
these early days; although there was a sort of theatre used for
nigger minstrel performances and concert hall business. This was
situated under Goodacre's butcher shop. The principal actor and negro
delineator was "Tom Lafont," whose equal I have not seen since as an
imitator of negro comicalities and as a bird whistler. He will be
well remembered by old-timers. The Theatre Royal was situated on
Government Street, one door from the corner of Bastion, as will be
seen in the picture. This corner was first occupied by Doctor Davie,
sr., then by a Doctor Dickson, when first I remember it. He died
about a year ago in Portland, Oregon, just after a visit to this
city. The theatre was, I think, composed of two of the big barns in
the fort, which being connected together, made one long building,
reaching to Langley Street. There was a saloon or restaurant kept
by Sam Militich on the one side of the front entrance, and Newbury's
saddlery shop on the other. The upper front of the theatre was used
as a photograph gallery, and was occupied, among others, by a Mr.
Gentile and J. Craig. A showcase of photos, in a small annex, which
was connected with the gallery above, may be seen with a magnifying
glass.
Charles Keen and Mrs. Keen produced several of Shakespeare's plays
here in 1864, and I went with my father to see "Macbeth." We had
seats in the pit, or orchestra chairs, as now known. Reserved tickets
were three dollars, and although this was thought to be a famine
price, the opportunity of hearing such celebrated people as the Keens
was not to be resisted, so the house was packed at each performance.
Charles Wheatley, considered a fine comedian, produced the "Colleen
Bawn," or the "Brides of Garry Owen." The play made a lasting
impression on me, as the finest comedy I had ever seen. It may be
that Mr. Wheatley's fine personation of Danny Mann, the leading part,
made me think so, but it was a fact nevertheless.
Madame Anna Bishop, whom Mr. Higgins has told us about in one of his
interesting stories, delighted many audiences in "Old Theatre Royal."
Public-domain text, read in full here on John Shaqi.
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