American fiction -- 19th century; Short stories, American
I could take his measure at a glance--he was six feet two and a perfect
gentleman. It would have paid any club in process of formation and in
want of a stamp to engage him at a salary to stand in the principal
window. What struck me at once was that in coming to me they had rather
missed their vocation; they could surely have been turned to better
account for advertising purposes. I couldn't of course see the thing in
detail, but I could see them make somebody's fortune--I don't mean their
own. There was something in them for a waistcoat-maker, an hotel-keeper
or a soap-vendor. I could imagine "We always use it" pinned on their
bosoms with the greatest effect; I had a vision of the brilliancy with
which they would launch a table d'hôte.
Mrs. Monarch sat still, not from pride but from shyness, and presently
her husband said to her: "Get up, my dear, and show how smart you are."
She obeyed, but she had no need to get up to show it. She walked to the
end of the studio and then came back blushing, her fluttered eyes on the
partner of her appeal. I was reminded of an incident I had accidentally
had a glimpse of in Paris--being with a friend there, a dramatist about
to produce a play, when an actress came to him to ask to be entrusted
with a part. She went through her paces before him, walked up and down
as Mrs. Monarch was doing. Mrs. Monarch did it quite as well, but I
abstained from applauding. It was very odd to see such people apply for
such poor pay. She looked as if she had ten thousand a year. Her husband
had used the word that described her: she was in the London current
jargon essentially and typically "smart." Her figure was, in the same
order of ideas, conspicuously and irreproachably "good." For a woman of
her age her waist was surprisingly small; her elbow moreover had the
orthodox crook. She held her head at the conventional angle, but why did
she come to ME? She ought to have tried on jackets at a big shop. I
feared my visitors were not only destitute but "artistic"--which would
be a great complication. When she sat down again I thanked her,
observing that what a draughtsman most valued in his model was the
faculty of keeping quiet.
"Oh SHE can keep quiet," said Major Monarch. Then he added jocosely:
"I've always kept her quiet."
"I'm not a nasty fidget, am I?" It was going to wring tears from me, I
felt, the way she hid her head, ostrich-like, in the other broad bosom.
The owner of this expanse addressed his answer to me. "Perhaps it isn't
out of place to mention--because we ought to be quite business-like,
oughtn't we?--that when I married her she was known as the Beautiful
Statue."
"Oh dear!" said Mrs. Monarch ruefully.
"Of course I should want a certain amount of expression," I rejoined.
"Of COURSE!"--and I had never heard such unanimity.
"And then I suppose you know that you'll get awfully tired."
"Oh we NEVER get tired!" they eagerly cried.
"Have you had any kind of practice?"
Public-domain text, read in full here on John Shaqi.
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