American fiction -- 19th century; Short stories, American
One day when my young lady happened to be present with my other
sitters--she even dropped in, when it was convenient, for a chat--I
asked her to be so good as to lend a hand in getting tea, a service with
which she was familiar and which was one of a class that, living as I
did in a small way, with slender domestic resources, I often appealed to
my models to render. They liked to lay hands on my property, to break
the sitting, and sometimes the china--it made them feel Bohemian. The
next time I saw Miss Churm after this incident she surprised me greatly
by making a scene about it--she accused me of having wished to humiliate
her. She hadn't resented the outrage at the time, but had seemed
obliging and amused, enjoying the comedy of asking Mrs. Monarch, who sat
vague and silent, whether she would have cream and sugar, and putting an
exaggerated simper into the question. She had tried intonations--as if
she too wished to pass for the real thing--till I was afraid my other
visitors would take offence.
Oh they were determined not to do this, and their touching patience was
the measure of their great need. They would sit by the hour,
uncomplaining, till I was ready to use them; they would come back on the
chance of being wanted and would walk away cheerfully if it failed. I
used to go to the door with them to see in what magnificent order they
retreated. I tried to find other employment for them--I introduced them
to several artists. But they didn't "take," for reasons I could
appreciate, and I became rather anxiously aware that after such
disappointments they fell back upon me with a heavier weight. They did
me the honour to think me most their form. They weren't romantic enough
for the painters, and in those days there were few serious workers in
black-and-white.
Besides, they had an eye to the great job I had mentioned to them--they
had secretly set their hearts on supplying the right essence for my
pictorial vindication of our fine novelist. They knew that for this
undertaking I should want no costume--effects, none of the frippery of
past ages--that it was a case in which everything would be contemporary
and satirical and presumably genteel. If I could work them into it their
future would be assured, for the labour would of course be long and the
occupation steady.
Public-domain text, read in full here on John Shaqi.
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