American fiction -- 19th century; Short stories, American
The weather had turned so much worse that the rest of the day was
certainly lost. The wind had risen and the storm gathered force; they
gave from time to time a thump at the firm windows and dashed even
against those protected by the verandah their vicious splotches of rain.
Beyond the lawn, beyond the cliff, the great wet brush of the sky dipped
deep into the sea. But the lawn, already vivid with the touch of May,
showed a violence of watered green; the budding shrubs and trees
repeated the note as they tossed their thick masses, and the cold
troubled light, filling the pretty saloon, marked the spring afternoon
as sufficiently young. The two ladies seated there in silence could
pursue without difficulty--as well as, clearly, without
interruption--their respective tasks; a confidence expressed, when the
noise of the wind allowed it to be heard, by the sharp scratch of Mrs.
Dyott's pen at the table where she was busy with letters.
Her visitor, settled on a small sofa that, with a palm-tree, a screen, a
stool, a stand, a bowl of flowers and three photographs in silver
frames, had been arranged near the light wood-fire as a choice
"corner"--Maud Blessingbourne, her guest, turned audibly, though at
intervals neither brief nor regular, the leaves of a book covered in
lemon-coloured paper and not yet despoiled of a certain fresh crispness.
This effect of the volume, for the eye, would have made it, as
presumably the newest French novel--and evidently, from the attitude of
the reader, "good"--consort happily with the special tone of the room, a
consistent air of selection and suppression, one of the finer aesthetic
evolutions. If Mrs. Dyott was fond of ancient French furniture and
distinctly difficult about it, her inmates could be fond--with whatever
critical cocks of charming dark-braided heads over slender sloping
shoulders--of modern French authors. Nothing had passed for half an
hour--nothing at least, to be exact, but that each of the companions
occasionally and covertly intermitted her pursuit in such a manner as to
ascertain the degree of absorption of the other without turning round.
What their silence was charged with therefore was not only a sense of
the weather, but a sense, so to speak, of its own nature. Maud
Blessingbourne, when she lowered her book into her lap, closed her eyes
with a conscious patience that seemed to say she waited; but it was
nevertheless she who at last made the movement representing a snap of
their tension. She got up and stood by the fire, into which she looked a
minute; then came round and approached the window as if to see what was
really going on. At this Mrs. Dyott wrote with refreshed intensity. Her
little pile of letters had grown, and if a look of determination was
compatible with her fair and slightly faded beauty, the habit of
attending to her business could always keep pace with any excursion of
her thought. Yet she was the first who spoke.
"I trust your book has been interesting."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account