Some Specimens of the Poetry of the Ancient Welsh BardsEvans, Evan
General
Some Specimens of the Poetry of the Ancient Welsh Bards
Evans, Evan
Welsh poetry -- To 1550; Welsh poetry -- Translations into English
Your nation and ours are now happily consolidated in one firm
indissoluble mass, and it is of very little importance, whether Llewelyn
or Edward had the advantage in such a particular encounter. At least
very few (even learned and inquisitive readers) will interest themselves
in such an enquiry,—whereas the productions of genius, let them come from
what quarter they will, are sure to attract the attention of all. Every
reader of taste, of whatever country or faction, listens with pleasure,
and forms a higher or meaner opinion of any people, in proportion as they
are affected by this exertion of their intellectual powers. To give an
instance, that is parallel to your own case, the Danes and Swedes have,
for this century past, been rescuing their ancient writings from
oblivion; they have printed off their Icelandic Histories, and collected
what they could of their ancient Runic Poems. The latter have attracted
the attention of all Europe; while the former are no otherwise regarded,
than as they contribute to throw light on the latter. A very celebrated
Frenchman has lately translated some curious specimens of them into his
own language; and Mr. Dodsley will soon print a curious Spicilegium of
the same kind in English, of which I will procure a copy and send you
when printed off. But who will be at the pains (except a few northern
antiquaries) to give a careful perusal to the other? I have this moment
a voluminous _corpus_ of them (lately borrowed) before me. Even curious
and inquisitive, as you are yourself, into historical facts, let me ask
you if you would be willing to read 800 pages folio, in a barbarous
literal Latin version, concerning the exploits of King Haquin Sarli; the
mighty achievements of Ghorfinne Harlecefni, and of twenty other valiant
barbarians? Yet, when you come to read the native undenied poetic
descriptions of the ancient Runic Bards, their forcible images, their
strong paintings, their curious display of ancient manners, I defy the
most torpid reader not to be animated and affected; and then we are
content to make some enquiry after the history of these savage heroes,
that we may understand the songs of which they are the subjects. In like
manner, with regard to your own Owain Gwynedd, without intending the
least disrespect to so valiant a prince, I believe few readers will
desire to know any further of his history, than as it will serve for a
comment to Gwalchmai’s very sublime and animated Ode. After all, I would
not have any historical monuments perish, or be totally neglected. They
may come into use upon a thousand occasions, that we cannot at present
foresee, and therefore I am glad, that the northern nations have been
careful to secure even the above (to us uninteresting) narratives from
destruction. And I should be very glad to have the same care taken of
those of the ancient Britons. But I think the first care is due to these
noble remains of ancient genius, which are in so much greater danger or
Public-domain text, read in full here on John Shaqi.
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