Iowa -- Description and travel; Natural history -- Iowa; Natural history -- Outdoor books
ago; the little bats that weave their way beneath the darkening arches
of the leafy roof, while the fire-flies are lighting their lamps in
the nave of the sylvan sanctuary. When the afterglow has faded and the
blur of night has come, give me the old, childlike faith and assurance
that tomorrow's sun shall rise again, and that by-and-by, in the same
sweet way, there shall break the first bright beams of Earth's Eternal
Easter morning.
[Illustration: "THE FRAGRANCE OF THE MILKWEED AT EVENING" (p. 54)]
VIII.--BY THE RIVERSIDE IN AUGUST
When morning broke, little wisps of mist, like curls of white smoke,
were drifting on the surface of the river as it journeyed through the
canyon of cliffs and trees, dark as the walls of night, toward the
valley where the widening sea of day was slowly changing from gray to
rosy gold. Caught in a cove where the water was still these little
wisps gathered together and crept in folds up the face of the cliff,
as if they fain would climb to the very top where the red cedars ran
like a row of battlements, twisting their stunted trunks over the
brink and hanging their dark foliage in a fringe eighty feet above the
water. But the cliff had for centuries defied all climbers, though it
gave footing here and there to a few friendly plants. At its base the
starry-rayed leaf-cup shed a heavy scent in the stillness of the moist
morning. Higher, at the entrance to a little cave, the aromatic
spikenard, with purple stems and big leaves, stood like a sentinel.
From crannies in the limestone wall the harebell hung, its last
flowers faded, but its foliage still delicately beautiful, like the
tresses of some wraith of the river, clinging to the grim old cliff,
and waiting, like Andromeda, for a Perseus. Tiny blue-green leaves of
the cliff-brake, strung on slender, shining stems, contrasted their
delicate grace with the ruggedness of the old cliff. Still higher,
where a little more moisture trickled down from the wooded ridge
above, the walking fern climbed step by step, patiently pausing to
take new footings by sending out roots from the end of each long,
pointed leaf. Near the top of the cliff, where the red cedars gave
some shade, little communities of bulb-bearing ferns and of polypody
displayed their exquisite fronds, as welcome in a world of beauty as
smiles on a mother's face. Mosses and lichens grew here and there,
staining the face of the old cliff gray, green and yellow. These tiny
ferns and mosses, each drawing the sort of sustenance it needed from
the layers of the limestone, seemed greater than the mountain of rock.
Imposing and spectacular, yet the rock was dead,--the mausoleum for
countless forms of the old life that ceased to be in ages long
forgotten. These fairy forms that sprang from it were the beginnings
of the new life, the better era, the cycle of the future, living,
breathing, almost sentient things, transforming the stubborn stone
into beauty of color and form, into faith that moves mountains and
Public-domain text, read in full here on John Shaqi.
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