Natural history -- Iowa; Natural history -- Outdoor books
But the winds of March deserve a word of praise, as everyone knows who
has filled his lungs with their vitalizing freshness and felt the
earth respond to their purifying influence. They are only boisterous,
not cruel. The specters of miasma and contagion flee before them like
the last leaves. Many of the oaks have held a wealth of withered
foliage all the winter but now the leaves fly almost as fast as they
did in late October, and make a dry, rustling carpet up to your shoe
tops. Now and again the wind gets down into this leaf-carpet and makes
merry sport.
Listen to the majestic roar of the winds in a grove of rugged oaks,
and then again, for contrast, where the timber on the river bottom is
all-yielding birch. It is like changing from the great _diapason_ to
the _dulciana_ stop. In the mixed woodlands, so common in Iowa, the
effect is even more delightful. The coarse, angular, unyielding twigs
of the oaks give deep tones like the vibrations of the thick strings
on the big double bass. The opposite, widespreading twigs of the ash
sing like the cello, and the tones of the alternate spray of the
lindens are finer, like the viola. The still smaller, opposite twigs
of the maples murmur like the tender tones of the altos and the fine,
yielding spray of the birches, the feathery elm and the hackberry make
music pure and sweet as the wailing of the first violins. When the
director of this _maestoso_ March movement signals _fortissimo_ the
effect is sublime and the fine ear shall not fail to detect the
overtones which come from the hop hornbeams and the hazel in the
undergrowth below.
In keeping with the majestic orchestra is the continuous noise of
grinding ice from the river. There is a sign at the edge of the birch
swamp which says: "Positively no trespassing allowed here"--but it is
not necessary now, for the river has overflowed the swamp and big
masses of ice lean up against the trunks of the birches. Out in the
main channel the river is swiftly flowing, packed with ice floes, from
the little clear fragments which shine like crystals, to the great
masses as big as the side of a house, bearing upon them the
accumulated dust and dirt and uncleanness of the winter. Pieces of
trees, trunks and roots, cornstalks from fields along the shore, all
are being carried seaward. In the middle of the river the prow of a
flat boat projects upward from between two huge ice floes which have
mashed it, like a miniature wreck in arctic seas. The best view of
this annual ice spectacle is to look up the river and see the big
field of broken, tumbling, crashing, grinding ice coming down.
Public-domain text, read in full here on John Shaqi.
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