Amnesiacs -- Fiction; England -- Fiction; Mothers and daughters -- Fiction
After the cows--this is an expression borrowed from Sally, later in
the afternoon--conversation flagged through the rest of the walk home.
Except for regrets, more than once expressed, that it would be much
too late for tea when we got in, and a passing word on the fact that
at the seaside one got as greedy as some celebrated glutton--a Roman
emperor, perhaps--very few ideas were interchanged. But a little
conversation was made out of the scarcity of a good deal, for the
persistent optimism of Sally recognised that it was awfully jolly
saying nothing on such a lovely evening. Slight fatigue, combined
with the beauty of sky and sea and distant downland, the lengthening
shadows of the wheatsheaves, and the scarlet of poppies in the
stubble, seemed good to justify contemplation and silence. It was an
hour to caress in years to come, none the less that it was accepted as
the mere routine of daily life in the short term of its existence. It
was an hour that came to an end when the party arrived at the hedge of
the unripe sloes that had checked the onset of Albion Villas towards
the new town, and passed through the turnstile Fenwick and Vereker had
passed through in the morning. Then speech came back, and each did
what all folk invariably do after a long spell of silence--revealed
what they were being silent about, or seemed to be. Most likely
Fenwick's contribution was only a blind, as his mind must have been
full of many thoughts he wished to keep to himself.
"I wonder when Paganini's young woman's row with her mother's going
to come off--to-day or to-morrow?"
"I was wondering whether it would come off at all. I dare say she'll
accept the inevitable." Thus Rosalind, and for our part we believe
this also was not quite candid--in fact, was really suggested by her
husband's remark. But Sally's was a genuine disclosure, and really
showed what her mind had been running on.
"I've been meditating a Crusade," she said, with remoteness from
current topics in her voice. And both her companions immediately
made concessions to one that seemed to them genuine as compared with
their own.
"Against whom, kitten?" said her mother.
And Fenwick reinforced her with, "Yes, who's the Crusade to be
against, Sarah?"
"Against the Octopus." And Sally says this with the most perfectly
unconscious gravity, as though a Crusade against an octopus was a
very common occurrence in every-day life. The eyes of her companions
twinkle a little interchange across her unseen, but are careful to
keep anything suggesting a smile out of their voices as they apply
for enlightenment.
"Because of poor Prosy," Sally explains. "You'll see now. She won't
allow him to come round this evening, you see if she does!" She is
so intent upon her subject-matter that they might almost have smiled
aloud without detection, after all.
"When's it to come off, Sarah--the Crusade?"
"I was thinking of going round this evening if he doesn't turn up."
Public-domain text, read in full here on John Shaqi.
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