Amnesiacs -- Fiction; England -- Fiction; Mothers and daughters -- Fiction
It is impossible to make Gluck's music anything but a foretaste of
heaven, as long as there is any show of accuracy in the way it is
rendered. But, then, you must go straight on, and not go over a
difficult phrase until you know it. You must play fair. Orpheus would
probably only have provoked Cerberus--certainly wouldn't have put him
to sleep--if he had practised, and counted, and gone back six bars
and done it again.
But Cerberus wasn't at 260, Ladbroke Grove Road, on the Tuesday
following Mrs. Erskine Peel's musical party, which was the next time
Sally went to Laetitia Wilson. And it was as well that he wasn't, for
Sally stuck in a passage at the end of one page and the beginning of
the next, so that you had to turn over in the middle; and it was bad
enough, goodness knew, without that! It might really have been the
north-west passage, so insuperable did it seem.
"I shall never get it right, I know, Tishy," said the viola.
And the violin replied: "Because you never pay any attention to the
arpeggio, dear. It doesn't begin on the chord. It begins on the G
flat. Look here, now. One--two--three. One--two--three."
"Yes, that's all very well. Who's going to turn over the leaf, I
should like to know? I know I shall never do it. Not because the
nerves of my head are giving way, but because I'm a duffer."
"I suppose you know what that young man is, dear?" Sally accepts this
quite contentedly, and immediately skips a great deal of unnecessary
conversation.
"I'm not in love with him, Tishy dear."
"Didn't say you were, dear. But I suppose you don't know what he is,
all the same." Which certainly seems inconsecutive, but we really
cannot be responsible for the way girls talk.
"Don't know, and don't want to know. What is he?"
"He's from Cattley's." This throws a light on the conversation. It
shows that Sally had told Laetitia who she was going to meet at her
mother's next evening. Sally is not surprised.
"As if I didn't know all about this! As if he didn't tell me his
story!"
"Like the mock-turtle in Alice?"
"Now, Tishy dear, is that an insinuation, or isn't it? Do be candid!"
"The mock-turtle told his story. Once, he was a real turtle."
"Very well, Tishy dear. That's as much as to say Julius Bradshaw is
mock. I can't see where the mockness comes in myself. He told _me_
all about it, plain enough."
"Yes--and you know what a rage Mrs. Erskine Peel is in, and says it
was an _eclaircissement_."
"Why can't she be satisfied with English?... What! Of course, there
are _hundreds_ of English equivalents for _eclaircissement_. There's
bust-up."
"That's only one."
"Tishy dear, don't be aggravating! Keep to the point. Why mustn't
I have Julius Bradshaw to play with if I like because he's at
Cattley's?"
"You may, if you _like_, dear! As long as you're satisfied, it's
all right."
"What fault have you to find with him?"
"I! None at all. It's all perfectly right."
"You are _the_ most irritating girl."
Public-domain text, read in full here on John Shaqi.
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