Amnesiacs -- Fiction; England -- Fiction; Mothers and daughters -- Fiction
"Suppose we take the _adagio_ now--if you're rested."
But Sally's back was up. "Not until you tell me what you really mean
about Julius Bradshaw."
So Laetitia had her choice between an explicit statement of her
meaning, and an unsupported incursion into the _adagio_.
"I suppose you'll admit there _are_ such things as social
distinctions?"
Sally wouldn't admit anything whatever. If sociometry was to be a
science, it must be worked out without axioms or postulates. Laetitia
immediately pointed out that if there were no such things as social
distinctions of course there was no reason why Mr. Julius Bradshaw
shouldn't take his violin to Krakatoa Villa. "Or here, or anywhere,"
concluded Laetitia, with a touch of pride in the status of Ladbroke
Grove Road. Whereupon Sally surrendered as much of her case as she
had left.
"You talk as if he was a sweep or a dustman," said she.
"I don't see why you should mind if I do, dear. Because, if there are
to be no social distinctions, there's no reason why all the sweeps and
dustmen in Christendom shouldn't come and play the violin at Krakatoa
Villa.... Now, not _too_ slow, you know. One--two--three--four--that'll
do." Perhaps Sally felt it would be a feeble line of defence to dwell
on the scarcity of good violinists among sweeps and dustmen, and that
was why she fell into rank without comment.
This short conversation, some weeks on in the story, lets in one or
two gleams of side-light. It shows that Sally's permission to the
young man Bradshaw to call at her mother's had been promptly taken
advantage of--jumped at is the right expression. Also that Miss Wilson
had stuck-up ideas. Also that Sally was a disciple of what used to be
called Socialism; only really nowadays such a lot of things get called
Socialism that the word has lost all the discriminative force one
values so much in nouns substantive. Also (only we knew it already)
that Sally was no lawyer. We do not love her the less, for our part.
Public-domain text, read in full here on John Shaqi.
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