But the more I stared at the blackness, the more detail I picked out. I noticed the edge of a curtain, a fold, in one photo, and when I looked for it, I could just pick it out in the other photos. Eventually, I hit on the idea of using a water glass as a magnifying lens, and as I experimented with different levels of water, more detail leapt out of the old pictures. The curtains hanging behind them were dusty and wrinkled. They looked like they were made of crushed velvet, like the Niagara Falls souvenir pillow on Auntie's armchair in the living room, which had whorls of paisley trimmed into them. I traced these whorls with my eye, and tried to reproduce them with a ballpoint on paper bags I found under the sink. And then, in one of the photos, I noticed that the patterns disappeared behind and above the shoulders. I experimented with different water levels in my glass to bring up the magnification, and I diligently sketched. I'd seen a *Polka Dot Door* episode where the hosts showed how you could draw a grid over an original image and a matching grid on a sheet of blank paper and then copy over every square, reproducing the image in manageable, bite-sized chunks. That's what I did, using the edge of a nail file for a ruler, drawing my grid carefully on the paper bag, and a matching one on the picture, using the blunt tip of a dead pen to make a grid of indentations in the surface of the photo. And I sketched it out, one square at a time. Where the pattern was, where it wasn't. What shapes the negative absence-of-pattern took in the photos. As I drew, day after day, I realized that I was drawing the shape of something black that was blocking the curtain behind. Then I got excited. I drew in my steadiest hand, tracing each curve, using my magnifier, until I had the shape drawn and defined, and long before I finished, I knew what I was drawing and I drew it anyway. I drew it and then I looked at my paper sack and I saw that what I had drawn was a pair of wings, black and powerful, spread out and stretching out of the shot. # She curled the prehensile tips of her wings up the soles of his feet, making him go, Yeek! and jump in the bed. "Are you awake?" she said, twisting her head around to brush her lips over his. "Rapt," he said. She giggled and her tits bounced. "Good," she said. "'Cause this is the important part." # Auntie came home early that day and found me sitting at her vanity, with the photos and the water glass and the drawings on the paper sacks spread out before me. Our eyes met for a moment. Her pupils shrank down to tiny dots, I remember it, remember seeing them vanish, leaving behind rings of yellowed hazel. One of her hands lashed out in a claw and sank into my hair. She lifted me out of the chair by my hair before I'd even had a chance to cry out, almost before I'd registered the fact that she was hurting me -- she'd never so much as spanked me until then.