She nodded. To be chained again, after this brief moment of freedom! He wanted her, right enough, and he was delighted to have her for his partner, his companion, but he saw no need for formal commitments between them. "You're the mbretersha," he protested, "the queen. It wouldn't be right for you to marry a commoner!" "And you," she retorted, "are one of nature's own noblemen, and, hence, a fitting consort for me. There is no one in either universe whom I could marry without lowering myself," she explained, "so I might as well wed where there is a basis of respect, of admiration, and, to be sure, expediency." "But--but _our_ ceremony wouldn't be valid in _your_ universe, would it?" he spluttered wildly. "And _your_ ceremony--" "We will have two ceremonies, Mattern, one in each universe." This, he could see in alarm, was going to be a truly lasting marriage. * * * * * Mattern was happy with the mbretersha, for she knew how to satisfy a man's every dream as well as his desires, and of course, being the kqyres, she was the only woman who would not be disturbed by the presence of one on board. Moreover, she was a woman for whom a universe could be risked, a woman to whom worlds could be offered--in short, just as he was the only man worthy of her, so she was the only woman worthy of him. But sometimes he fancied that the mbretersha's blue eyes had the same haunting familiarity that he had seen in Lyddy's and Alard's, and he wondered. Alard's had been explicable enough; he and Mattern had had the same mother. But why should Lyddy also have his mother's eyes--and, stranger still, why should the mbretersha? Len could not help wondering whether, to create the ideal fantasy, the ultimate carrot, the xhindi had reached far back in his mind to get the earliest--and thus the most fundamental--illusion of beauty for him. Could both Lyddy and the mbretersha have been deliberately modeled on his mother, and was the mbretersha's form in normspace merely whatever she chose it to be--or appear to be? _Oh, well_, he thought, _perhaps an artful illusion is the truest form of reality._ End of Project Gutenberg's Someone to Watch Over Me, by Christopher Grimm