Something about Eve: A comedy of fig-leavesCabell, James Branch
Science
Something about Eve: A comedy of fig-leaves
Cabell, James Branch
Fantasy fiction; Historical fiction; Middle Ages -- Fiction
“No,” Gerald protested, “no, really, you must not tempt me with such
eloquence! It suffices that during the thirty years that you have sat
here theorizing,—and have, as it were, blossomed forth with all these
delightful books,—these half-magics have led me day after day from one
affair to its twin; they have led me into more or less jealously guarded
lowlands, which were not markedly dissimilar; they have led then from
one valley to another valley which looked and felt and, for that matter,
smelt very much the same; finally they led me to the fair breasts of
Maya. And I fell away into domesticity, I went no farther. But I was
wholly content there.... So I do not complain. I have lost through these
half-magics my appointed kingdom in Antan,—or so, at least, it appears
to me, in a world wherein perhaps nothing is indisputable except, of
course, historical and scientific truths. Yet the losing of my kingdom
has, none the less, been pleasant. I have had, under the harryings of
these half-magics—always, I mean, upon the whole,—an agreeable time.
To-night the half-magics whose appointed duty it is to keep all us
romantics from attaining to Antan have ceased bothering about me. After
to-night I am no longer formidable. I am, in a word, now that I approach
sixty, almost middle-aged. It follows that Antan does not concern me any
longer: and I shall think no more about Antan, wherein, for one reason
and another, I have found nothing.”
With that, gray Gerald Musgrave dipped his pen. He put the boy quite out
of mind. And the well-thought-of old scholar began to write, just where
his natural body had left off a bit earlier in the evening, setting down
decorously the historical and scientific truth as to the rules governing
pre-nuptial intercourse in the bedchambers of New Guinea and the Tonga
Islands.
50.
Exodus of Glaum
THE boy waited, looking down at this old fellow who sat there making
small scratches upon paper, the most of which he presently canceled with
yet other scratches, all the while with the air of a person who is about
something intelligent and of actual importance. Then the boy shrugged.
For, as always, to an onlooker the motions of creative writing revealed
that flavor of the grotesque which is attendant upon every form of
procreation.
Public-domain text, read in full here on John Shaqi.
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