But in his hand was still the rope with which he had led this ram, and in his other hand was a bag containing silver money, and in his heart, now that he had again turned northerly, to find in place of the oar an elder-tree in flower, now in his heart was the knowledge that no man could travel beyond him in hopelessness and in infamy. He remembered all that he had put away, all which he had denied and betrayed, all the kindly wonders which he had witnessed between Galilee and Jerusalem, where the carpenters of the Sanhedrin were now fashioning, from a great lichen-crusted cedar log found floating in the Pool of Bethesda, that cross which would be set up to-morrow morning upon Mt. Calvary. Then Judas flung down the accursed silver and the rope with which he had come hither to destroy himself, because an infamy so complete as his must first be expressed with fitting words. It was a supreme infamy, it was man’s masterpiece in the way of iniquity, it was the reply of a very fine poet to Heaven’s proffered truce after so many æons of tormenting men causelessly: it was a thing not to be spoken of but sung. He heaped great sheets of lead upon his chest, he slit the cord beneath his tongue, he tormented himself with clysters and with purges and in all other needful ways, so that his voice might be at its most effective when he sang toward Heaven about his infamy. But when he sang of his offence against Heaven, he likened his hatefulness to that of very horrible offenders in yet elder times, he compared his sin to that of Œdipus who sinned inexpiably with his mother, and to that of Orestes whom Furies pursued forever because he had murdered his mother. But it was not of any Jocasta or of any Clytemnestra he was thinking, rather it was of his own mother, of that imperious, so beautiful Agrippina whom he had feared and had loved with a greater passion than anyone ought to arouse in an emperor, and whom he had murdered. Nothing could put Agrippina out of his thoughts. It availed no whit that he was lord of all known lands, and the owner of the one house in the world fit for so fine a poet to live in, a house entirely overlaid with gold and adorned everywhere with jewels and with mother of pearl, a house that quite dwarfed the tawdry little Oriental hovel which Solomon had builded as a bribe to Heaven, because this was a house so rich and ample that it had three-storied porticos a mile in length, and displayed upon its front portico not any such trumpery as an Ark of the Covenant but a colossal statue of that Nero Claudius Cæsar who was the supreme poet the world had ever known. Yet nothing could put Agrippina out of Nero’s thoughts. From the satiating of no lust, howsoever delicate or brutal, and from the committing of no enormity, and from the loveliness of none of his poems, could he get happiness and real peace of mind. He hungered only for Agrippina, he wanted back her detested scoldings and intermeddlings, he reviled the will of Heaven