Something about Eve: A comedy of fig-leavesCabell, James Branch
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Something about Eve: A comedy of fig-leaves
Cabell, James Branch
Fantasy fiction; Historical fiction; Middle Ages -- Fiction
But when he would have touched the Swan’s daughter, the delight of gods
and men, she vanished, precisely as a touched bubble is shattered into
innumerable sparkling bits, and over three thousand of them he pursued
and captured in all quarters of the earth, for, as he said of himself,
Don Juan Tenorio had the heart of a poet, which is big enough to be in
love with the whole world, and like Alexander he could but wish for
other spheres to which he might extend his conquests, and each one of
these sparkling bits of womanhood glittered with something of that lost
Helen’s loveliness, yet, howsoever various and resistless were their
charms, and howsoever gaily he pursued them, singing ever-new songs, and
swaggeringly gallant, in his fair, curly wig and his gold-laced coat
adorned with flame-colored ribbons, yet he, the eternal pursuer, was in
turn pursued by the malevolence of Heaven, in, as it seemed, the shape
of an avenging horseman who drew ever nearer unhurriedly, until at last
the clash of rapiers and the pleasant strumming of mandolins were not
any longer to be heard in that golden and oleander-scented
twilight,—because of those ponderous, unhurried hoofbeats, which had
made every other noise inaudible,—and until at last he perceived that
both the rider and the steed were of moving stone, of an unforgotten
stone which was gray and lichen-crusted.
But when fearlessly he encountered the overtowering statue, and had
grasped the horse about its round cold neck, he saw that the stone rider
was lifeless, and was but the dumb and staring effigy of a big man in
armor which was inset with tinsel and with bits of colored glass. It was
the bungled copy and the parody of a magnanimous, great-hearted dream
that he was grasping, and yet it was a part of him, who had been a poet
once, but was now a battered old pawnbroker, for in some way, as he
incommunicably knew, this parodied and not ever comprehended Redeemer
and he were blended, and they were, somehow, laboring in unison to serve
a shared purpose. He derided and he came too near to a mystery which he
distrusted, and which yet (without his preference having been consulted
in the affair) remained a part of him, as it was a part of all poets,
even of a cashiered poet, and a part very vitally necessary to the
existence of a Jurgen. A Jurgen had best not meddle with such matters
one half-second sooner than that dimly foreseen, inevitable need arose
for a Jurgen also to be utilized in the service of this mystery, without
having his preference in the affair consulted. The aging pawnbroker was
a little afraid. He climbed gingerly down from the tall pedestal of
Manuel the Redeemer, he descended from that ambiguous tomb upon which he
was trampling, he stepped rather hastily backward from that carved
fragment of the crag of Prometheus. He stepped backward, treading beyond
the confines of the golden mirror which was worshipped at Caer Omn; and
he was thus released from its magic.
Public-domain text, read in full here on John Shaqi.
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