Something about Eve: A comedy of fig-leavesCabell, James Branch
Science
Something about Eve: A comedy of fig-leaves
Cabell, James Branch
Fantasy fiction; Historical fiction; Middle Ages -- Fiction
27.
Regarding the Stars
VILLON spat meditatively between his yellow front teeth. He fingered,
in the while that he continued his reflections, his scarred and puckered
lower lip. Then he confessed that he dissented from a great many of his
predecessor’s remarks.
“You were impressive. Your life was a competent job, boldly executed,
and nobody denies its merits on their own melodramatic plane. Yet it
lacked the indispensable touch of tenderness, without which no work of
art is of the first class. No: it was I who was truly favored; and I
made of my life a flawless poem without dragging in such gaudy
accessories as thrones and burning cities and the wasting of a lovely,
mother-naked virgin on a mere lion.”
And this François Villon went on to speak of the great blessings which
had been accorded him. He had been granted irresolution, and lewdness,
and poverty, and cowardice, and a large weakness for drink, and an
ingrained dishonesty, and a disease-wrecked body, and everything else
which was needed to make him a knave as contemptible as any man could
hope to be.
“I was, in brief, gentlemen, as I have elsewhere remarked, a hog with a
voice. And there was no voice like my voice.”
For out of the mire that wallowing, lustful and cowardly beast had sung.
Now he sang jeeringly, and made fun of the whole world with satire and
mockery and invective, and with plain filth-flinging,—which was all
quite good art, because it pleases people to see a man superior to his
fate. Now he sang piercingly of the great platitude that death conquers
and ruins everything: and to that sentiment nobody can ever turn a deaf
ear, because it is the only sentiment with a universal personal
application. But, above all, he sang of his regret for his past
indiscretions, and of his yearning for spiritual cleanliness,
and—“soaring,” as Villon now quoted, with admirable complacency, “to
the very gates of Heaven upon the star-sown wings of faith and
song,”—he had proclaimed his trust in that divine love which,
ultimately, would redeem all properly repentant persons from the logical
outcome of their doings in this world, and would give to the marred life
of every properly repentant person a happy ending in a fair-colored
paradise agreeably full of harps and lutes. And people liked that, too,
of course, because such a philosophy made everybody feel muggily
consoled and, for no especial reason, magnanimous.
Public-domain text, read in full here on John Shaqi.
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